Wednesday, November 25, 2009

The Church Pianist: Christmas Program Tips


A Christmas program takes lots of work to prepare as I'm
sure you all know.

As a church pianist, I find myself very busy the night of the
program...making sure last minute details are in place.

A tip that has really helped me....is to have one of my
industrious piano students play the prelude before the program.

The student enjoys this opportunity to play during a time when
the main focus isn't directed his or her way:)

It also allows me time to get in order before the program starts.

One more tip...I even have a student or students play the offertory
the night of the program.

Our young people enjoy being involved in the ministries of our church.
For that...I am very grateful.

Sunday, November 8, 2009

The Church Pianist: Easy Christmas Program

I found this easy Christmas program online and thought I'd share it.
You can also go to my new website for a free Christmas program I just
shared today.

http://www.cph.org/pdf/351330.pdf

Friday, November 6, 2009

The Church Pianist: The Haven of Rest (part one)

"The Haven of Rest" is one of my favorite hymns.
I usually hear this hymn performed as a vocal solo.

As a pianist, we must learn to make the text come to life
by animated accompaniment...making the message even
more real and meaningful.

The first verse begins with a troubled scene of a lost soul
but ends with a rescue by the Saviour!

So...we begin with a mood of turmoil. I use an up and down
pattern in the right hand to depict the boistrous waves of the
sea.

Then...the waves suddenly grow calm...when the lost soul hears
the sweet voice of the Saviour. (Notice the movement lessens
in the accompaniment for a calm affect).

I just want to keep going and explain the next part of the accomp-
animent because the mood of happiness increases...creating a
cascading wave of crescendo as Jesus floods the 'saved' soul with
unexplainable peace!

Please go to the following link to see part one and two of this
free vocal arrangement of "The Haven of Rest".

http://thechurchpianist.com/accompaniment/the-church-pianist-haven-of-rest-part-two/

Monday, October 26, 2009

The Church Pianist: Sacred Piano Duets

Looking for a nice sacred piano duet book?

The following book entitled:

"Wonderful Grace of Jesus" is one of my favorites!


This book contains some nice selections for Thanksgiving
too!


You know how some books only seem to have a few nice
arrangements? Not this one. They're all wonderful pieces.


Click on the following link to view arrangements from the
"Wonderful Grace of Jesus" piano duet book.


http://www.bjupress.com/product/122234

Saturday, October 17, 2009

The Church Pianist: Interview with a Composer


Do any of you church pianists compose? If so, you will
find the following links very beneficial.

As a composer myself, I found the following two part article
very interesting...an interview with the composer...Kevin Costley.

The web address of the interview host is:
http://www.composecreate.com/wendys-piano-studio

Interview links:
http://www.composecreate.com/archives/1784 Part One

http://www.composecreate.com/ Part Two

Thursday, October 8, 2009

The Church Pianist: How to Play Without Watching Fingers

Pianists of all different levels have asked me...
"How do you play comfortably without watching your
hands?"

I begin by learning the piece with the most comfortable
fingering possible without alot of awkward twists and turns.

I will have memorized the piece by the time I can play it without
hesitations.

Once a song is memorized...try playing it in the dark.

You'll be amazed at how well your keen sense of touch takes over...
just as a blind person must learn to do.

Several years ago, I was playing the prelude for a convention
with several thousand in attendance.
All of a sudden, the lights went out!

Fortunately, I had a repertoire of memorized music I could play
comfortably in the dark:) I thank the Lord for helping me
through that experience.

Just be patient with yourself and practice, practice, practice!

Knowing your piece will enable you to play without watching your
fingers.

Monday, September 28, 2009

The Church Pianist: Part One: My Very First Hymn Improvsing Piano Lesson



I was in fifth grade when I received my first improvising lesson
from the hymnal.

The hymn I improvised was At Calvary. It took me at least two
months to learn the improvised style in a flowing rhythm.

Here are the first two improvising steps I learned to create a
fuller sound in hymnplaying.

First, open a hymnal to the hymn: "Like a River Glorious".
I chose this hymn because it is in an easy key and contains
a simple rhythm.

Let me preface the lesson with the following clarification:
The hymnal is written for voice parts only...not for an
instrument. Therefore, the pianist must adapt by improvising.

The saprano is the top note on the treble staff; while the
alto is under the saprano note.

The tenor note is the top note on the bass staff and the
bass note is under the tenor.

Step#1: Add the tenor note to the right hand when feasible.
(right thumb plays this note.)

You should be playing a total of three notes for the right hand.
(tenor, alto and saprano)

Exception: Sometimes the tenor note fits better between the
alto and the saprano note. This usually occurs when the alto
and saprano have a greater distance between them; allowing
room for the tenor note to fit between them.

It is best to practice the right hand alone (with added tenor note)
until a steady flow is maintained.

Expect to feel disoriented at first; having to add the tenor note to
the right hand without it written that way.

Step#2: Double the bass note for the left hand. (left thumb is placed
on the written bass note and duplicated an octave below the pinky).

Doubling the bass note is basically playing in octaves. This second
step really adds a deep, rich sound to the hymn.

Be prepared to slow down when adding the left hand to the right hand.

The following two step improvising lesson can be described as playing
in five-part style: three notes in the right hand and two in the left hand.

Keep in mind, it took me two months to play one hymn with this two
step improvising lesson. (At Calvary wasn't the easiest hymn to start
with; due to a busy rhythm).

Once you play one hymn this way, you can apply the same two step
process to other hymns.

Choose hymns in easy keys with simple rhythms at first.
Once you've gained confidence, you can move on to hymns in harder keys
with more complex rhythms.

This two step improvising method will allow a pianist to sound full
enough to support congregational singing.

Over time, more improvising skills can be obtained; adding life and fullness
to hymnplaying.

Part two will contain a video demonstration of this two step improvising
piano lesson along with a free pdf arrangement of Like a River Glorious in
five-part style.

Part two can be found at the following link:

http://thechurchpianist.com/improvise/the-church-pianist-part-two-video-demo-of-my-first-hymn-improvising-piano-lesson/

Thursday, September 24, 2009

The Church Pianist: Correct Fingering Makes the Difference!


Believe it or not...correct fingering is of upmost importance
for the pianist.

How can you tell what fingering to use?

Here's the basic guidelines I share with my piano students
who are at least in Level 3 (early intermediate).

Try to stay in the same hand frame (position) to avoid excessive twists.
Too many twists produces a choppy sound.

It usually works to stay in one hand position for say....

one sentence of a hymn before repositioning for the upcoming sentence.

Adjust the hand according to the highest note of the sentence.
You want the pinky to be able to reach the highest note.

Just look ahead to each new phrase and reposition your hand
as needed.

Friday, September 11, 2009

The Church Pianist: Excellent Resource for Church Pianists!


If you're a church pianist searching for CD's to
listen to or maybe a new book for your church
choir or ladies' ensemble..then check out the
following website for lots of music and audio
samples!

There is also a free radio station with nonstop Christian
music to enjoy.

http://www.oldchristianradio.com/

As a church pianist, I'm always looking for good music to
recommend to the church family. This site allows you to
listen to samples of each CD. What an excellent resource!

Monday, September 7, 2009

The Church Pianist: Offertory Idea Using: Jesus is the Sweetest Name I Know

Jesus is the Sweetest Name I Know is a very
old hymn that I like to play for offertory.

I attend a small church and therefore shorter
offertories are the best!

Sometimes I just start with the chorus of the
song and then on to the verse and chorus to make
it just long enough for the offering.

Here's an audio of how I would play "Jesus is the
Sweetest Name I Know" for a short offertory.

http://www.box.net/shared/rt28mdqmae

New website: http://thechurchpianist.com/

Saturday, August 29, 2009

The Church Pianist: Free Piano Offertory (Part One)

I enjoy simple offertories...meaning...piano arrangements
with a clear melody presentation.

I've written part one of a free piano offertory.

The lyrics are added to help the church pianist focus on
the message of the hymn.

In a future article, I will share the editor notes for this
piano selection; giving you explanations for my improvising
ideas in this free offertory.

I don't normally do this, but I'm creating this piano medley as I go. Part two
will present the rest of this free piano arrangment of the "Heaven Medley".

Links for the free offertory:
Part One:
Part Two with audio of complete offertory:

Monday, August 24, 2009

The Church Pianist: The Invitation


As a church pianist, you all know that the invitation
is a crucial time. It's a time when many make life-
changing decisions.

Sometimes the pastor has me play while he's talking
during the invitation.

I try to convey a reflective yet urgent mood as pastor
encourages people to come forward as God leads.

Here is an audio sample of how I might play the background
music for the invitation:

http://www.box.net/shared/ov0upsoc7g

Wednesday, August 19, 2009

The Church Pianist: What is An Augmented Chord?


The word "augment" means to make larger.


That is exactly what happens when a chord
is augmented...it is made a half step greater.

The augmented chord adds a touch of
"suspense or anticipation" to a song.

An augmented chord is just like a major
chord (in root position) with a raised fifth.

For example:

The C major chord in root position = C E G

The C augmented chord = C E G#

Any major chord can be augmented within
a song as long as it sounds right.

Alot of hymns use the augmented chord.

See the music image below. (Then read the following).

Did you find the augmented chords in the examples?

If not, here are the answers:


(There was only one in each example).

Moment by Moment: on the word "by"

Thank You Lord: on the word "for"

In part two, I will share how to use
the augmented chord as a chord substitution in
hymns.


Part Two can be found at:
http://thechurchpianist.com/chords/the-church-pianist-part-two-augmented-chord-substitution/






Thursday, August 13, 2009

The Church Pianist: Free Manuscript Paper

New website: http://thechurchpianist.com/

I came across Wendy's piano Studio while visiting

Music Matters Blog by Natalie Wickham.

Wendy has loads of resources for the pianist.

If you are a composer, you will enjoy accessing

her free manuscript paper at the following link.

http://www.composecreate.com/wendys-piano-studio/teaching-resources/manuscript-paper

Saturday, August 8, 2009

The Church Pianist: Improvising Hymns (Part One)

Short on time... but will share a simple fill-in idea
for hymns.

This improvisational idea works well at the end of
a verse.....leading into the chorus.

The following two ingredients are nesscary in order
to use this fill-in idea.

1.The final chord of the verse must be a I chord and
last for at least three beats.

2. The first chord of the chorus must also be a I chord.

For example: In G Major....the I (one) chord is GBD.

Description of the Fill-In Idea: (occurs in final measure
of verse)

On Beat #3...

1. Play a IV chord in the right hand

2. Play the V note of G Major in the left hand for the bass note
( note: D )

This creates the chord notation: IV/V

Editor notes for today's example:

After the word..."Thee" the right hand plays a "climb the ladder"
fill-in to make an easy transition to the upper register of the piano.

Follow this link to see another example of this fill-in idea:
http://thechurchpianist.com/?p=454

Monday, August 3, 2009

The Church Pianist: Hymn Appreciation


Knowing the story behind a hymn
instills a deeper appreciation for the
hymn writer and its message.


Recently, I shared the unusual story
behind the writing of "There's Within
My Heart A Melody".


Such a happy tune and message...yet
born from a tragic accident.

Read the story:

http://thechurchpianist.blogspot.com/2009/07/church-pianist-theres-within-my-heart.html

I told you that I'd share the name of the book that
contained this hymn story and many more.

The book is entitled: "Hymn Histories" by Alfred Smith.

I had the privilege of accompanying Al Smith when he was
alive. ( I was a teenager at the time).

He would also share hymn stories...he actually knew some of
the composers personally....or friends of the hymn writers.

As a young girl, I heard Al Smith tell the stories behind some
of the great hymns of faith. The words of those hymns took
on new meaning as I sang them in church.

Alfred Smith was also a hymn writer. He wrote the well-known
hymn: "Surely Goodness and Mercy"....also the children's well-
loved chorus entitled: "Zaccheaus".

Our younger generation is losing their strong heritage of the great

hymns of faith. Why not bring a hymn to life by sharing its story?

See Alfred Smith's biography and "Hymn Histories" book at the

following links:

http://www.livinghymns.org/bio.htm

http://www.livinghymns.org/resources.aspx

Thursday, July 30, 2009

The Church Pianist: There's Within My Heart a Melody



How many of you know the song: There's Within
My Heart a Melody?

This joyful, peppy hymn was birthed from a very
tragic accident.

The author....Luther Bridges. Luther was known
for his energetic and sincere preaching.

At the age of 26 in 1910...Luther lost his wife and three
young children to a housefire while visiting his in-laws.

Luther felt overwhelmed with sorrow but remembered
the Lord's promise that the Lord would never leave him
or forsake him.

Burdened with sorrow, Luther was still able to penn these
words:

"There's within my heart a melody,
Jesus whispers sweet and low.
Fear not, I am with thee, peace be still.
In all of life's ebb and flow."

This hymn story as well as many others can be found in a
special book that I've had for years. I'll share the author
of the hymn histories book and where to find it in my next
article.

Monday, July 27, 2009

The Church Pianist:Youtube Pedal Tip (Lesson One)

Does your piano playing ever sound choppy or cloudy and
you just can't figure out why?

Here's a short youtube video clip...introducing a pedal tip to help
revolutionize the sound of your playing!


http://www.youtube.com/watch?v=jvsf6Wt1RfA

Lesson two of this article will include a demonstration of this
pedal tip. Click here to see part two:

http://thechurchpianist.com/?cat=39

Saturday, July 25, 2009

What is the Role of the Church Pianist? Part One

Good question! The role of the church pianist varies from church
to church.

Before I share some thoughts with you...I'll explain our church...
so that you can understand where I'm coming from.

Our church is in the country nestled in the foothills of North Carolina.

The people are very friendly and family-oriented.

Most of the members have lived in the area most of their life.

What I'm trying to say is...the needs of the church determines the
criteria for the church pianist.

In some churches, the church pianist may be the only music person
available. In this case, the pianist may have to lead the congregation
and choir in song while playing the piano. What a challenge!
I know of at least one of my readers in this situation. I admire her
for her efforts.

At other churches, the pianist may serve the as role as pianist only.
(That's my role).

Whether you're the main person or just filling the role as church
pianist...the following tips will hopefully encourage and direct you
as you serve in the music ministry.

These are things that have personally helped me in my way of
thinking towards serving the music ministry.

1. I'm a servant...serving the Lord

2. Not to think of myself above others; no comparision
Each church member is of equal importance to God.

3. Love my church family

The following are natural outcomes of point #3...

4. Support and encourage those in the music ministry.
Example: "Your song was a blessing" or "Thanks for being
willing to sing or play."

5. Pray for those in the music ministry

6. Always communicate in love

7. Use constructive guidance as needed
(This can occur only after building a trusting relationship.)

This applies if the person or persons you're accompanying
are seeking helpful pointers.

Please understand...these are just a few ideas that have helped
to create a proper mindset in me as church pianist.

Each church is unique as far as their needs. Just ask God for
wisdom as you seek to serve Him where He has placed you.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


Some of the following issues will be covered in part two:

*The relationship between the song leader and church pianist
(Who's in charge?)

*Job description of the church pianist (What's expected of me?)

*Developing the Special Music Program
(How the church pianist can help grow the special music program)

I can't wait to share these ideas with you in detail.

After reading this article, you may come up with your own ideas of
ways to become more effective as church pianist.

Above all else, may God receive the glory of our efforts as we seek
to serve Him in the role of church pianist.

Part Two of this article can be found at: http://thechurchpianist.com/?p=407

Wednesday, July 22, 2009

The Church Pianist: Accompaniment Ideas for Only a Sinner

New website located at: http://thechurchpianist.com/


Most of the chorus of Only a Sinner is the C chord..
well...that is....if you're in the key of C to start with :)

I'll share some accompaniment ideas for the chorus
of this lively hymn.

Editor notes for Only a Sinner
(excerpt from chorus only)

Measure one: (see beats two through four)

The following accompaniment idea works well when...
Soprano and alto parts are written in consecutive thirds
for a while during a monotone bass line (repeated bass notes).

Simply transfer the alto to the left hand in octave format and
delete the alto from the right hand for a more balanced harmony.

This produces a more open tone like I've discussed in previous
articles.

Measure two:

Couldn't help it...had to throw in a chord substitute! Can you guess
which one? It's the vi chord (a minor) in place of the C chord on
beat one.

Hmm...on beat four...can you see what's taking place? It's similar to
measure one's scenario. I added a fill in using consecutive thirds...
split between the hands...doubled up. Make sense?

Measure four:

My favorite part! I love to add runs but haven't shared many with
you because I have trouble deciphering my rhythm and trying to
get Finale to accept it:)

*Note the fingering in the right hand run for ease of movement.

Well...got to get ready for prayer meeting. I pray you all have
a wonderful service tonight.

Sincerely,

Jenifer








Tuesday, July 21, 2009

The Church Pianist: New Website

I'm excited to announce my new website!

Initially, the site will be set up as a blog.

On the new website, the music images will eventually
be set up in PDF format instead of PNG.

New articles will still appear here as well as the new
site until I get settled in.

Over the last few years, many have requested that
I offer arrangements for sale.

In time, I plan to offer some of the following for sale
on the new website:

Piano solos

Piano duets

Piano duos

Vocal arrangements

CD's


Feel free to visit the new website. Just remember, it's still
under construction:)


http://thechurchpianist.com/

Sunday, July 19, 2009

The Church Pianist: Free Audio Sample of My Saviour First of All

New website located at: http://thechurchpianist.com/


Talk about a quickie! I just had to share something
with you all before going to bed.

How many of you know the song: "My Saviour First
of All"?

Here's an audio of the verse...using strictly accompaniment
style for say.... a vocal solo.

You will hear a hint of melody sprinkled here and there.

This hymn has alot of busy words and therefore requires less
movement on the piano part; allowing the vocalist more freedom
of interpretation. (Using more ebb and flow for a conversational
effect).

http://www.box.net/shared/zo5btl552d

Hope everyone had a nice Sunday.

Monday, July 13, 2009

The Church Pianist: Nothing but the Blood (Free Accompaniment Ideas)

New website located at: http://thechurchpianist.com/



I just played this song for the congregation yesterday.

Nothing but the blood of Jesus has a wonderful
message and I try to bring the text to life by
improvising with a lively accompaniment.

Do you realize that this hymn uses only two chords?
The I and V....meaning....G and D chord.

If the congregation sings parts...I have to use the
written chords to agree with the voice parts.

Editor notes for "Nothing but the Blood"

Verse One:

Right hand: Plays three to four notes for fullness
Left hand: Uses stepping down octaves for a march-like tone

Verse Two:
Right hand: Adds an eighth note rhythm for livelier sound

Left hand: Consists of alternating bass note movement
to avoid a montone effect.

Verse Four:

Right hand: Adds a little change; especially in the last measure

Left hand: Same pattern as verse one but in eighth note pattern.

Try applying these same accompaniment ideas
to the hymn: A Shelter in the Time of Storm




Sunday, July 12, 2009

The Church Pianist: Printing Troubles?

New website located at: http://thechurchpianist.com/
Having trouble printing the music images?

Most likely your browser is not set to print the images
by default.


Try this:

Right click the image (can only print one page at at time)

Click "Save as target"

Save the image file to your computer where you can find it.

Open up with your default or favorite image viewer.

Or....use "Windows Explorer" to locate the music image
you saved. Double-click the file and it will open so you
can print it.

Hope this helps those of you having printing troubles.

PDF images are more user friendly but this free blog site
does not support them. I have to convert all my pdf
images to jpg in order for them to be posted.

Please feel free to leave comments or questions.

Sincerely,

Jenifer

Monday, June 29, 2009

The Church Pianist: Foundational Tools for Improvising

Before a pianist can improvise effectively,
one must have a common knowledge of the
major and minor scales.

Of course some pianists play by ear and may
sound wonderful but cannot explain theoretically
what they're doing.

I know...I also can play by ear but read music and
have studied theory. I do not claim to be the theory
expert but did have teachers that required me to
learn theory.

Over the past ten years, I've learned a good bit of
theory through personal study.

It's imperative to have a working knowledge of the
scales and chords in all major and minor keys.

Today's image displays some very important tools
that prepare the church pianist for improvising.

It's really quite simple when learning the scales and
chords with the numbering system.

For example, a scale consists of 8 notes. A chord can
be built on each note of the scale as demonstrated in
today's image.

When numbering the chords in the scale...the upper
case roman numeral refers to a Major chord and the
lower case roman numeral indicates a minor chord.

Notice, the notes in the chords are made up of 3rds.
Meaning....the notes are a third apart from each other.

Anytime a three note chord consists of consecutive
thirds...it is in root position...meaning...the bottom
note of that chord names the chord.

For example...the chord (CEG) is called a C chord
because it's made of consecutive 3rds and the
bottom note is 'C'.

Now you're ready to hear about chord extensions.
To create a richer or fuller chord...add another note
a 3rd from the top note. This is called extending
the chord.

For example: The C chord (CEG).
Add another note a 3rd from the top and you now
have: CEGB

Chord extensions can be used for either hand.
They work best in the left hand.

The scales and chords are the foundational tools
for learning to improvise.

For starters, learn the scales for the easy major
keys with their chords (triads).

Try: C, G, D and F Major
My new website: http://thechurchpianist.com/










Thursday, June 25, 2009

The Church Pianist: Transposing (Part Two) Example #2

Transposing is such a large topic to cover!

Transposing tips for today's example #2:

Notice how closely related the chords are
during the transposition; allowing for a smoother
harmonic transition.

For example:
Look at the measure marked
"key change". The first chord in the right
hand maintained the previous chord's top
note; only altering the bottom two notes.

A slight ritard during the key change prevents
a rushed transition.


Try transposing on your own. For easier practice,
choose two hymns with similar moods and time signatures.
*Link to the first example for Transposing (Part Two)*


Please feel free to ask questions or leave comments.
Thanks again for visiting!





Monday, June 22, 2009

The Church Pianist: Transposing (Part Two)

Transposing up a minor 3rd can be
done in several ways.

For sake of simplicity, I will share one
way in this article.

Use the ii 7 and V 7 of the new key to
make the transition between keys.

For example:

If you want to go from C Major to E flat Major
(which is a minor3rd)....use the following chords
for the key change...f minor 7 (F, A flat, C, E flat)
and then...B flat M/m 7 (B flat, D, F, A flat).

Of course, the notes to these chords are distributed
between both hands for proper sound balance.

Think of 7ths as add-ons. They aren't necessary but
add richness to an otherwise basic chord.

Today's music image only contains one example due
to a busy week of VBS at our church.

I will post another example for this transposition in
the next article.
My new website: htpp://thechurchpianist.com/

Sunday, June 21, 2009

The Church Pianist: Prelude tip.

Here's a tip that may help the church
pianist for the end of the prelude.

Does your choir sing an opening chorus
to begin the service?

If they do, I try to make sure my last
prelude song is in the same key as the
choir opener.

This allows for a smoother transition
into the introduction for the choir opener.

My new website: http://thechurchpianist.com/

Thursday, June 18, 2009

Transposing: Part One

Part One

Being able to transpose from one song to
another takes practice. It's not as hard as
you may think. Just one chord is really all
you need....no matter what key!

Today's article will introduce this popular chord...
the V 7 of the new key (the key you want to
transpose to).

For instance, say... I want to go from G Major to A flat
Major (a half step higher).

Well...the V 7 chord in the key of A flat Major is
E flat. ( You always have to think ahead to the new key
to compute the V 7 chord).

The distance of keys between the two songs determines
what chords will sound best for the transposition.

You can always count on the V 7 chord of the new key
as a great link between the keys.

I'll begin by introducing two examples for transposing a
half step (minor 2nd) higher from the original key.



Editor notes for today's example:

*Songs with matching moods need no ritard for
ease of transistion.

* Songs with different moods require a ritard;
allowing time for a gear shift :)

*It does sound nice to lower the 7th tone of the original

key before moving into the V 7 chord of the new key.

I always lowered the 7th tone in the left hand for a nice

octave progression into the V 7 chord.

Audio of today's examples:

http://www.box.net/shared/8xce5tcr2b

Click on the following link for more information
on transposing.

https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSxdfSaPCto4kzlKzgXYDgUZOWLWkCMT3Ug2OMdwOT0idWp-eEnSAl4U4ziz0PrWm5f0fSI2jgV56cQDSN5-6pIHK-FqgSva9oeEZDhk_T4dGJoX0AC73g0Aa3HjKd7yw5uqOTFwIGufSv/s1600-h/-+%5BTransposing+up+a+whole+step.png


My new website: http://thechurchpianist.com/












Monday, June 15, 2009

The Church Pianist: Part Two of How Great Thou Art (Free Piano Arrangment)

I apologize...but I made a mistake on page one of
the How Great Thou Art piano arrangment in
Saturday's article.

Here is the complete arrangement of How Great Thou Art.

I will also share an audio of this free piano arrangement.
A youtube video of my advanced arrangement for "How Great Thou
Art" can be found at:

My new website: http://thechurchpianist.com/






Tuesday, June 2, 2009

The Church Pianist: Free Piano Arrangement: Part Two

My new website: http://thechurchpianist.com/


This free piano arrangement is written in
prelude style...very basic.

When I play this for prelude, I use more of
the upper range of the piano for my right hand;
allowing more space for my left hand to fill-in.

Later on, I can share the way I really play this
song but wanted to keep it as simple as possible
for those at an intermediateto early advanced level.

This free piano arrangement can also be used as an
offertory in the smaller church.

Part one of this arrangement can be found by clicking
on the following link:



Monday, June 1, 2009

The Church Pianist: Free Piano Arrangement

Well, I managed to squeeze in a verse
of a free piano arrangement for
"Standing on the Promises" prelude
style.

I enjoy bringing the old hymns to life
with chord subsitutions and fill-ins.

Tomorrow I will share the remainder
of this song in prelude style.

My editor notes for this free piano
arrangement will appear in a future
article.

Thursday, May 28, 2009

The Church Pianist: Hymn Improvising Tip

My new website: http://thechurchpianist.com/


Here's an easy hymn improvising tip that

can create a more open; pleasing tone when
improvising with the left hand.



Any time you play a triad (in consecutive
thirds)...keep it above Bass C.



Actually, any three note chord begins to
sound muddy or heavy when played below
Bass C.

I just play a two note chord when playing
chords lower than Bass C.



I'll give some visual examples to help
clarify this simple improvising tip.



The examples are written at a easy level
for a hopefully, clear presentation.











Tuesday, May 26, 2009

The Church Pianist: Improvising tip

My new website: http://thechurchpianist.com/


Here's a simple improvising tip for
left hand when playing chords in an
accompaniment pattern.

Avoid playing a close-knit chord
(consisiting of consecutive thirds)
lower than bass C (which is the next
C under Middle C)

Example of close-knit chord: CEG

Why? To avoid a muddy; heavy tone.

Lighten up the sound of the left hand
accompaniment by playing only two
note chords when it involves the area
of bass C or lower.

The next article will contain visual examples
of today's improvising tip.

Saturday, May 23, 2009

The Church Pianist: The Star Spangled Banner: Free Piano Arrangement

My new website: http://thechurchpianist.com/


I started having too much fun writing this
free arrangement of Star Spangled Banner.

What I mean by that is....it's hard for me
to keep things simple. I want to dress it up
some.

This is not written to be done as strictly as a
piano solo but as accompaniment for the
church congregation.

You'll notice on page two of the arrangment
that I deleted some melody notes on purpose
starting on the third line.

Why? During repetitive melody note passages
it helps to hold through repeated notes to avoid
a choppy or mechanical sound.

See link below on repeated notes:


Link to page one of The Star Spangled Banner:

http://thechurchpianist.blogspot.com/2009/05/church-pianist-star-spangled-banner-in.html

Here's an audio of the entire arrangement
of The Star Spangled Banner...

Hope you enjoy this free piano arrangement!











Friday, May 22, 2009

The Church Pianist: The Star Spangled Banner in Key of G (Part One)

My new website: http://thechurchpianist.com/


Some church pianists may say I'm committing
a crime by transposing the Star Spangled Banner.

Seriously, it's rather high for most people
in the average small church congregation.

Of course it has its lows at the beginning.

Extreme ranges to be sure!

Just thought I would share The Star Spangled
Banner in a lower key with the small church in
mind.

This is just part one of the Star Spangled Banner
in the key of G. I will post the remainder in the
next article.

The next post will also provide an audio of this
simple arrangement.

Hope it's useful to some of you church pianists.








Thursday, May 21, 2009

The Church Pianist: Improvising Hymns with Chord Inversions

My new website: http://thechurchpianist.com/



Chord inversions add variety when improvising hymns.

A root chord such as C E G (consecutive thirds) can be inverted
two different ways for variety in sound.

See the following link for a simple explanation of chord inversions.

http://thechurchpianist.blogspot.com/2009/02/church-piansit-using-chord-inversions.html

The following scenario makes good use of chord inversions.

When one chord lasts for at least 4 beats....the left hand
can invert the chord (same chord...just in a different note
order).

Example #1 (There is a Fountain) *See image below

The first left hand broken chord begins with the note "C"
"C" is the root of the C chord....so this broken chord would
be considered the root chord (even though E and G swapped
places for a more open tone).

The second broken chord of the left hand begins on note "E".
This is still a broken C chord but....considered in first inversion.
The true order of the C (first inversion) is EGC....but G and C
swapped places to create a more open tone.

Basically, the bass note dictates what chord inversion is being used.
But...you have to look at the complete picture for this analysis.
Meaning...notes in both hands must be combined for proper
chord analysis.

Special note:

A chord in 1st inversion is labeled with the number six (6)
Why? Well...remember that the notes in the first inversion
of a C chord are: E G C

The note "G" is the 6th note from the bottom note (E)

The same left hand chord pattern occurs in "Just As I Am".

What a mouthful! Hope this makes sense. Feel free to ask
questions if needed.

Chord inversions add color to improvising!











Saturday, May 16, 2009

The Church Pianist: Free Piano Arrangement of Just as I Am

A free piano arrangement
Just As I Am...

This is an intermediate arrangement I just
wrote for one of my piano students who is
starting to play more for the church service.






My new website:

http://thechurchpianist.com/

Monday, May 11, 2009

The Church Pianist: How Great Thou Art Piano Arrangment: Chord Substitutions

My new website: http://thechurchpianist.com/



I at least have time to share the chord sub-

stitutions for the ending of "How Great Thou
Art" piano arrangement.


This piano arrangment of "How Great Thou Art"
can be heard at the following link:



http://thechurchpianist.blogspot.com/2009/05/church-pianist-youtube-of-how-great.html


See the written ending of "How Great Thou Art" below:






Saturday, May 9, 2009

The Church Pianist: Youtube of How Great Thou Art



I haven't had much sit down time in a good while.
So...thought I'd share another youtube video.

This is one of my arrangements of How Great Thou
Art.

I take some of my vocal and piano students
to a local nursing home about 3 times a year for
a reach out ministry.

This arrangement was played at our last nursing home
visit in April.


I do use several different chords on the end for a regal
sounding finale.


For regal ending ideas, click on the following link.

http://thechurchpianist.blogspot.com/2008/10/church-pianist-song-endings.html

The next article will provide a free written (simplified) sample of my ending.

Click on the following youtube link to hear the arrangement of

How Great Thou Art.

http://www.youtube.com/watch?v=zQsW1Yv8roo


Wednesday, May 6, 2009

The Church Pianist: Part One: Free Patriotic Piano Arrangement



I felt in the composing mood last night before

bed....so here is a free patriotic piano arrangement.
(part one)



There never seems to be enough patriotic piano
arrangments available.



Maybe this patriotic arrangement will be helpful
to the church pianist who attends a smaller church.



Short offertories are always beneficial;
especially when it's free.

Audio of today's free piano arrangment:

http://www.box.net/shared/015yy3hmis







Tuesday, April 28, 2009

The Church Pianist: Accompanying the Vocalist (Youtube Video)



Accompanying the vocalist is one of my
favorite things to play for in a church service.

I'm able to stray from the melody and just play
within the chord frame of each measure.

Chesney, is one of my voice students. The Lord
has blessed her with the ability to sing and play
the piano.

I appreciate her sweet and willing spirit to
serve the Lord through music.

I had Chesney sing this song to allow me to share
with you all...accompaniment ideas for the vocalist.

The song, "Come Thou Fount" has a busy melody
line! This means less movement for the pianist;
using more of a chording style.

Notice the introduction has a hint of the melody
but doesn't use the typical introduction.
(Meaning....the first and last phrase of the song.)

The interlude before the last verse allows the singer
a chance to get his or her breath. :)

Youtube video link:

http://www.youtube.com/watch?v=EzYr30HYfc0

Monday, April 27, 2009

The Church Pianist: Accompanying the Vocalist (Youtube Video)



Today, I'll share a video of me accompanying
one of my voice students... Chesney... singing
"Trust and Obey".

Hopefully, you will be able to observe some of
what I've discussed in other articles regarding...
accompanying the vocalist. Please excuse the loud
piano:(

Related links:

http://thechurchpianist.blogspot.com/2008/12/church-pianist-accompanying-vocal.html

http://thechurchpianist.blogspot.com/2008/10/church-pianist-improvising-tips-for.html


I do use some melody here and there in the
accompaniment.

Listen for the altered vii diminished chord in
the last verse. What word did it occur on? :)


Related article discussing the altered vii diminished chord:

http://thechurchpianist.blogspot.com/2009/01/church-pianist-stately-chord.html

Youtube link for video of Trust and Obey:

http://www.youtube.com/watch?v=vNfKYhQJe-A

Friday, April 24, 2009

The Church Pianist: Choir or Congregational Accompaniment:Part Two (When the Roll is Called Up Yonder)



Here is part two of yesterday's article providing
a free choir/congregational arrangement of
When the Roll is Called Up Yonder.

I love dressing up the chorus with an alternate
melody that fits within the chords being used.

Please note: This arrangment does agree with
all four voice parts in the hymnal.

I'm unable to use chord substitutions to prevent
clashing with the written chords but I do add
chord extensions here and there.

A chord extension is created by adding another
third above the root chord.

For example, this song is in A flat Major.

The A flat chord = A flat, C and E flat (consecutive 3rds).

Well, add a minor third above the final note and you land
on G flat. It adds a rich flavor (oops!..I'm hungry so I have
food on the mind).

For more information on chord extensions, click on the link
below:


Audio for the full arrangement of When the Roll is
Called Up Yonder:

( I did play all four voice parts to give the full effect of
the added accompaniment).





Thursday, April 23, 2009

The Church Pianist: Piano Accompaniment for When the Roll is Called Up Yonder



When the Roll is Called Up Yonder is a nice upbeat
hymn but contains alot of repeated chords.

This song needs a facelift when it comes to piano
accompaniment.

For this type of hymn, I like to use alternating
bass notes in octave format for the left hand.

Example: This particular hymn is in A flat. Therefore,
the one chord is A flat. The notes of the A flat chord are:
A flat, C and E flat.

Look in measure three:

The main chord for this measure is A flat. I played an
A flat octave in the left hand on beat one. On beat three,
I changed (alternated) the bass note to an E flat which
belongs in the A flat chord. (the 5th of the chord).
Makes a big difference!

Notice how I inserted some rests here and there for the
right hand. It's just another way of adding variey to the
piano accompaniment.

Several triplets are sprinkled throughout to add extra zest.
(See measures: three and eight).

In the next article, I will provide the rest of the piano
accompaniment for When the Roll is Called Up Yonder.
(chorus section).

Audio sample:

http://www.box.net/shared/hkf832ek5u





Monday, April 20, 2009

The Church Pianist: Part Two of Piano Chord Analysis: Free Piano Sample




I'm sharing part two of the piano solo:

"More About Jesus" with a chord analysis.


In the hymnal, this song only uses three chords:


I , V7 and ii That's it!


In today's free music sample, I'll share some different
chords to add color to the text.


The vocal score is shown with the piano score for chord
comparsion.


Editor notes for today's free piano sample:



Overview:

A simple piano accompaniment was used for a more

(hopefully) clear presentation.

Measures 1 and 2:

To prevent playing the same chord (A flat) for two measures...
play a "climb down bass" pattern; creating a smooth harmonic
flow from one chord to the next. (see chord numbers in music).


Measure 4:


The V7 chord occured in the RH (labled in music)
with both hands finishing on the I chord for the word "me".


Measures 5 through 8:


A different rhythm pattern begins for variety.


Measure 5:


The I - V7 - I chord progression is used to prevent
repetitive A flat chord.


Measure 7:

Chord subsititution: The ii replaced the original V7
and resolved back to the V7.

Chord Tip:

Remember... the bass note does not always
dictate what chord you're using. You have to combine
the notes from both hands putting them in consecutive
3rds to determine the root chord.

Click on following link to see more about the ii chord
substitution from measure #7


http://thechurchpianist.blogspot.com/2008/11/church-pianist-chord-substitution.html


Audio of today's free piano sample:



http://www.box.net/shared/i8de6j5ptn





Wednesday, April 15, 2009

The Church Pianist: Using Chord Substitutions for..... More About Jesus




I enjoy using chord substitutions for a hymn
that would normally sound rather plain.

The hymn, More About Jesus, has a rather
mundane bass line. The whole song mainly
consists of the one (I) and five (V) chord.

This particular hymn is written in A flat.

Therefore, the one chord is A flat and the
V chord is E flat (E flat is the fifth note
of the A flat scale).

I will show you the vocal score against the
piano score so you can see what I changed.

Please remember, the piano score will only
work as a piano solo because the chord substitu-
tions would clash with the vocal parts.

Editor's notes for Part One of More About Jesus

Measure One:

I used a IV chord in the left hand on the
syllable..."Je" of the word "Jesus".


A IV chord can be inserted when the I chord
lasts 3 beats or more beats.

The right hand is playing a suspended chord
which I will explain in another lesson.

Measure two:

Left hand plays a stepping down pattern leading
into the vi 7 chord on the word "know".

Alot is happening in this measure to the next
measure.

So....when a I chord lasts for 3 or more beats and
is moving into a V chord....you can substitute the
I chord with the vi chord and....

Measure three:

.....then substitute the V chord with the ii 7 (as long
as the V chord lasts long enough to resolve back to
the V chord...basically three or more beats.

The original chord progression for the vocal score is...
Measure one: I chord
Measure two: I chord

Measure three: V chord

Measure four: I chord

The new chord progression in the piano score is...

Measure one: I to a IV

Measure two: I to a vi 7

Measure three: ii 7 to a V 7

Measure four: I chord

I'm in somewhat of a rush but hope I've made myself
clear.

We leave in the morning for Pigeon Forge and i'm
looking forward to dreaming up more articles on the
trip!




Tuesday, April 14, 2009

The Church Pianist: Piano Introductions (Free Samples) Part Four


Today's free samples of piano introductions cover
hymns beginning with an incomplete measure.

Not sure what I was thinking earlier when I ment-
ioned these type of introductions being tricky.

Although, there are some hymns with tricky intro-
ductions because they have two different time
signatures.

I will cover tricky introductions in another article.

The most important thing to remember when
playing introductions.....keep it moving :)

Also, remember to give a rousing introduction for
peppy songs and a more subdued mood for
devotional type hymns such as :
"A Child of the King" ...used in today's free samples
of piano introductions.










I will share an audio of today's samples.









http://www.box.net/shared/5o8my7ebku




























Monday, April 13, 2009

The Church Pianist: Free Easy Vocal/Piano Arrangement for It is Well




This is an easy piano accompaniment
for a vocal solo of "It is Well".

I wrote it for a level book three student.

I'm training her to become one of our
church pianists.

You're welcome to use this for yourself
or one of your students.

(Due to a hectic weekend, I posted this quickie today).

Tomorrow, I plan to post part four of Piano Introductions.




Saturday, April 11, 2009

The Church Pianist: Piano Introductions (Songs in 3/4 Time)




Piano introductions should be simple;

giving a sufficient sampling of the tune
to ensure a confident entry for the song
leader and congregation.

As I prepared today's music examples...
several tips came to mind for piano intro-
ductions which I'll share in another article.

As you'll discover in today's introduction examples...
introductions do not have to be very long.

Just provide enough of the beginning of the tune
with a secure ending.

The next article will be entitled:

Piano Introductions: (Part Four)
Songs starting with incomplete
measures.

Songs with incomplete measures can be quite
tricky when it comes to piano introductions!

I'll share some examples and tips concerning
this topic in the next article.



Tuesday, April 7, 2009

The Church Pianist: Piano Introductions Part Two: Hymns in 4/4 Timing




Piano introductions need to be simple to follow

to ensure a confident entry.



Here are some examples of piano introductions in
4/4 time.



Editor notes for today's music image:



*Christ the Lord is Risen Today... (third measure)



I played single eighth notes here and there in
the right hand for ease of movement through
a fast passage.



*Standing on the Promises... (second measure)



To avoid using a B flat chord for the entire measure,
I used an E flat chord on beats three and
four for chord variation. In theoretical terms, the IV
chord (E flat) replaced the I chord (B flat).



I also altered the melody onthe fourth beat to create
a smoother melodic transistion into the next measure.

Just remember: No ritard at end of introductions :)



Hope you're able to make use of these piano introductions.

Hear piano introductions:



http://www.box.net/shared/jjdpoocu2y