Piano Introductions (Tempo Changes)

New website: http://thechurchpianist.com

Some songs in the hymnal
have time signature changes.

The verse may start in 3/4

and the chorus in 4/4.

Generally, introductions consist of

the first and last phrase of the song.


Remember, the purpose of the intro-

duction is to establish the initial tempo.


The introductions for songs with tempo

changes must be created from the verse

to establish the initial tempo.


I have given several song examples to

illustrate possible introductions.



Editor notes for Examples:


1. Christ Returneth: the introduction

had to be modified to avoid a lengthy

introduction.



2. The last two songs were easier...

using the first and last phrase of

the verse.



Introduction tip: The last phrase of the verse


must end on a one chord to give the introduction


a closing sound. Otherwise, the church pianist


will need to modify (end on the one chord).



For more information on introductions, please refer to


the following links of my earlier articles.



http://thechurchpianist.blogspot.com/2008/09/church-pianist-introduction-tips-for_9455.html

http://thechurchpianist.blogspot.com/2008/09/church-pianist-introduction-tips-for.html

The Church Pianist: Improvising for Congregation or Choir in 6/8 Time

New website: http://thechurchpianist.com

Accompanying the congregation or choir in 6/8 time

can be tricky if you try to play every word.

Playing every word creates a mechanical or

choppy tone and tends to bog down the tempo.

Tips for Playing in 6/8 Timing:

Accent the 1st and 4th beat in every measure.

If you'll notice, the most accompaniment happens

on the accent beats. (1st and 4th)

Don't play every word to avoid dragging the tempo.

Add fill-ins on long words to keep tempo alive!

Remember to maintain a strong volume to support the

congregation or choir.

Above all: Be energetic! We must portray that God is alive!

I've shared some accompaniment ideas for "Showers of Blessings".