The Church Pianist

Christmas Program Re-Cap!

2011-12-20T13:24:00.000-08:00

We had our Christmas cantata this past Sunday night.
The Lord helped us all present the important message
of salvation through song and drama. We performed
"Christmas at Home" by Ron and Shelley Hamilton.

Now, it's time to take notes for improvement or to record
things we'd like for future programs.

Here are several things to remember when making that list:

*Start practicing early enough in the year to compensate
for missed practices due to revivals or other special meetings
that require extra preparedness for the choir.

*Did everyone have their cues in order for things to run smoothly?
(Sound crew needs a script to turn mics on and off at the right time)

*Have Pastor make necessary announcements the evening of the
program to ensure a smooth and peaceful night in the congregation.
(Example: nursery provided for young ones, no flash photography, etc.)

*Video camera should be in a place ABOVE the congregation to avoid
catching glimpses of people leaving or coming during program which
can block view of performance. Our whole purpose for videoing is
to capture memories and to eventually show the choir sometime in
the near future. Seeing their performance will excite them...
as they get a chance to see and truly experience the program as a
whole. The video also gives us something to view after the fact
to see how to improve. We all need to strive to do our very best to
communicate God's message of salvation.

These are just a few things to think over for next year's
Christmas program.

Adequate preparedness results in a more effective gospel message.

The following Bible verse keeps me in focus...
Colossians 3:23 "And whatsoever ye do, do it HEARTILY,
as to the Lord, and not unto men."

Click here to see drama excerpts from "Christmas at Home"

Silent Night free piano arrangement.wmv

2011-12-06T17:57:00.000-08:00

Congregational Playing

2011-09-15T19:33:00.000-07:00

Some church pianists have been taught that it's necessary to play every melody note during congregational singing. If you're one of these pianists....you're missing out on all the fun!

The more well-known the melody is to the audience...the more I deviate from the melody. How to do so without getting lost? I think in chord frames while singing the melody in my head.

Learning the chords by number system will enable the church pianist to manuever through a hymn without
getting lost. Much to learn!

Visit my site for improvising tips for congregational singing at:

The Church Pianist

Most Embarrassing Moment as Church Pianist

2011-08-20T19:46:00.000-07:00

I'll never forget the most embarrassing moment I had as a young
church pianist at the age of fifteen. I was playing for the invitation and the sustain pedal broke.

I can still remember the song I was playing..."Just as I Am".
All I could hear was"Plunk plunk plunk... plunk plunk plunk plunk....."

My dad was the song leader and he just gave me this "what is going on?" look.
I tried acting like nothing was wrong but it was just TOO obvious :)
Needless to say...the invitation seemed a little shorter that day.

Anybody else have an embarrassing moment as church pianist
that you're willing to share? Feel free!

New site: The Church Pianist

Free Piano Arrangement of At the Cross

2011-08-15T13:39:00.000-07:00

I just shared a free piano arrangement of "At the Cross". The arrangement is piano accompaniment for the congregation singing unison or can be used to accompany a vocal solo.

Click here to access this free piano arrangement of "At the Cross".

Church Pianist Music Store Re-Opening!

2011-07-25T19:40:00.000-07:00

Come visit our new music store! We're celebrating by having a sale. You'll receive 25% off purchases greater than $5 until July 30th. Enter coupon code: PIANO....at time of purchase to receive your discount.

Enjoy looking at the sample pages and audios!

The Church Pianist: Free Piano Christmas Arrangements!

2010-11-24T06:24:00.000-08:00

Need Christmas arrangements to play for upcoming offertories?

Just click on the link below and enjoy your search :)

Free Christmas Piano Arrangements

The Church Pianist: Adding Runs to Hymns

2010-08-25T12:02:00.000-07:00

Adding runs to hymns make for nice fillers during a held word.

I'm doing a series of articles containing visual examples of runs

in hymns. I'll also be providing an audio of each example.

Go to: http://thechurchpianist.com/ to see more on this topic.

The Church Pianist: More Piano Offertories!

2010-06-29T13:48:00.000-07:00

Check out this nice book for offertories from Bible Truth Music entitled

Playing Piano Praises Volume One by Glenn & Jan Christianson.

This piano book contains 10 nice offertory selections. The piano

arrangements are available in downloadable pdf format or can be

purchased individually in the same format.

I consider these offertories to be early advanced arrangements.

I always enjoy finding new offertories! Click on the book title

to see the actual music of all the piano arrangements contained

in this book.

Go to: http://thechurchpianist.com/offertories/the-church-pianist-more-piano-offertories/ to hear audio samples!

The Church Pianist: Offertory Ideas

2010-03-02T18:33:00.000-08:00

As church pianists, we could use some inexpensive, creative
ideas for offertories, right?

Did you know you can use a piano arrangement written for
a vocalist to accompany say...a violin or flute solo?

Or...use a piano accompaniment written for one of these instru-
ments to accompany a vocalist.

Not too long ago...I shared a free vocal arrangement of
"Haven of Rest". One of my church pianist readers used it
to accompany her sister, who plays violin.

It turned out so nice that I decided to share this offertory
idea with you. Links to music included below the video.

Haven of Rest part one
Haven of Rest part two
Haven of Rest part three

New website: http://thechurchpianist.com/

The Church Pianist:Congregational Singing

2010-02-18T10:11:00.000-08:00

Here's an easy tip for church pianists.

When playing for congregational singing...

Keep the music moving between verses to create an
easy entry for singers.

Slowing down at the end of each verse will disrupt the
flow of music; causing confusion for the congregation as
far as when to start the next verse.

Piano Hymn Fill-ins Part Three addresses this issue and
provides a couple of music examples.

It is important for the church pianist to maintain a steady
tempo throughout congregational singing. If available,
the song leader will take care of this concern.

New website: http://thechurchpianist.com

The Church Pianist: Free Hymn Sheet Music

2010-01-26T14:20:00.000-08:00

Hi! Just wanted to make my readers aware of the
free hymn sheet music I'm offering on my new website.

Click on the following link to view my free hymn arrangements.

http://thechurchpianist.com/free-music/

The Church Pianist: Practicing Piano

2010-01-10T18:05:00.000-08:00

Making time to practice piano can be quite a challenge!

I do better if I work on a small section of an arrangement
at a time....say...about 20 minutes per session depending
on the content of the hymn arrangement.

I always try to have one difficult piece that I'm learning
to keep me motivated.

It's always best to start a practice session with several
scales or other technique exercise to improve mobility
and strength.

Practicing piano on a regular basis will make the church
pianist feel a lot more confident!

The Church Pianist: Christmas Program Tips

2009-11-25T03:54:00.000-08:00

New website: http://thechurchpianist.com

A Christmas program takes lots of work to prepare as I'm
sure you all know.

As a church pianist, I find myself very busy the night of the
program...making sure last minute details are in place.

A tip that has really helped me....is to have one of my
industrious piano students play the prelude before the program.

The student enjoys this opportunity to play during a time when
the main focus isn't directed his or her way:)

It also allows me time to get in order before the program starts.

One more tip...I even have a student or students play the offertory
the night of the program.

Our young people enjoy being involved in the ministries of our church.
For that...I am very grateful.

The Church Pianist: Easy Christmas Program

2009-11-08T18:33:00.000-08:00

New website: http://thechurchpianist.com/

I found this easy Christmas program online and thought I'd share it.
You can also go to my new website for a free Christmas program I just
shared today.

http://www.cph.org/pdf/351330.pdf

The Church Pianist: The Haven of Rest (part one)

2009-11-06T08:17:00.000-08:00

"The Haven of Rest" is one of my favorite hymns.
I usually hear this hymn performed as a vocal solo.

As a pianist, we must learn to make the text come to life
by animated accompaniment...making the message even
more real and meaningful.

The first verse begins with a troubled scene of a lost soul
but ends with a rescue by the Saviour!

So...we begin with a mood of turmoil. I use an up and down
pattern in the right hand to depict the boistrous waves of the
sea.

Then...the waves suddenly grow calm...when the lost soul hears
the sweet voice of the Saviour. (Notice the movement lessens
in the accompaniment for a calm affect).

I just want to keep going and explain the next part of the accomp-
animent because the mood of happiness increases...creating a
cascading wave of crescendo as Jesus floods the 'saved' soul with
unexplainable peace!

Please go to the following link to see part one and two of this
free vocal arrangement of "The Haven of Rest".

http://thechurchpianist.com/accompaniment/the-church-pianist-haven-of-rest-part-two/

The Church Pianist: Sacred Piano Duets

2009-10-26T18:55:00.001-07:00

Looking for a nice sacred piano duet book?

The following book entitled:

"Wonderful Grace of Jesus" is one of my favorites!

This book contains some nice selections for Thanksgiving
too!

You know how some books only seem to have a few nice
arrangements? Not this one. They're all wonderful pieces.

Click on the following link to view arrangements from the
"Wonderful Grace of Jesus" piano duet book.

http://www.bjupress.com/product/122234

The Church Pianist: Interview with a Composer

2009-10-17T07:35:00.000-07:00

New website: http://thechurchpianist.com/

Do any of you church pianists compose? If so, you will
find the following links very beneficial.

As a composer myself, I found the following two part article
very interesting...an interview with the composer...Kevin Costley.

The web address of the interview host is:
http://www.composecreate.com/wendys-piano-studio

Interview links:
http://www.composecreate.com/archives/1784 Part One

http://www.composecreate.com/ Part Two

The Church Pianist: How to Play Without Watching Fingers

2009-10-08T10:01:00.001-07:00

Pianists of all different levels have asked me...
"How do you play comfortably without watching your
hands?"

I begin by learning the piece with the most comfortable
fingering possible without alot of awkward twists and turns.

I will have memorized the piece by the time I can play it without
hesitations.

Once a song is memorized...try playing it in the dark.

You'll be amazed at how well your keen sense of touch takes over...
just as a blind person must learn to do.

Several years ago, I was playing the prelude for a convention
with several thousand in attendance.
All of a sudden, the lights went out!

Fortunately, I had a repertoire of memorized music I could play
comfortably in the dark:) I thank the Lord for helping me
through that experience.

Just be patient with yourself and practice, practice, practice!

Knowing your piece will enable you to play without watching your
fingers.

The Church Pianist: Part One: My Very First Hymn Improvsing Piano Lesson

2009-09-28T10:09:00.000-07:00

New website: http://thechurchpianist.com/

I was in fifth grade when I received my first improvising lesson
from the hymnal.

The hymn I improvised was At Calvary. It took me at least two
months to learn the improvised style in a flowing rhythm.

Here are the first two improvising steps I learned to create a
fuller sound in hymnplaying.

First, open a hymnal to the hymn: "Like a River Glorious".
I chose this hymn because it is in an easy key and contains
a simple rhythm.

Let me preface the lesson with the following clarification:
The hymnal is written for voice parts only...not for an
instrument. Therefore, the pianist must adapt by improvising.

The saprano is the top note on the treble staff; while the
alto is under the saprano note.

The tenor note is the top note on the bass staff and the
bass note is under the tenor.

Step#1: Add the tenor note to the right hand when feasible.
(right thumb plays this note.)

You should be playing a total of three notes for the right hand.
(tenor, alto and saprano)

Exception: Sometimes the tenor note fits better between the
alto and the saprano note. This usually occurs when the alto
and saprano have a greater distance between them; allowing
room for the tenor note to fit between them.

It is best to practice the right hand alone (with added tenor note)
until a steady flow is maintained.

Expect to feel disoriented at first; having to add the tenor note to
the right hand without it written that way.

Step#2: Double the bass note for the left hand. (left thumb is placed
on the written bass note and duplicated an octave below the pinky).

Doubling the bass note is basically playing in octaves. This second
step really adds a deep, rich sound to the hymn.

Be prepared to slow down when adding the left hand to the right hand.

The following two step improvising lesson can be described as playing
in five-part style: three notes in the right hand and two in the left hand.

Keep in mind, it took me two months to play one hymn with this two
step improvising lesson. (At Calvary wasn't the easiest hymn to start
with; due to a busy rhythm).

Once you play one hymn this way, you can apply the same two step
process to other hymns.

Choose hymns in easy keys with simple rhythms at first.
Once you've gained confidence, you can move on to hymns in harder keys
with more complex rhythms.

This two step improvising method will allow a pianist to sound full
enough to support congregational singing.

Over time, more improvising skills can be obtained; adding life and fullness
to hymnplaying.

Part two will contain a video demonstration of this two step improvising
piano lesson along with a free pdf arrangement of Like a River Glorious in
five-part style.

Part two can be found at the following link:

http://thechurchpianist.com/improvise/the-church-pianist-part-two-video-demo-of-my-first-hymn-improvising-piano-lesson/

The Church Pianist: Correct Fingering Makes the Difference!

2009-09-24T13:47:00.001-07:00

New website: http://thechurchpianist.com/

Believe it or not...correct fingering is of upmost importance
for the pianist.

How can you tell what fingering to use?

Here's the basic guidelines I share with my piano students
who are at least in Level 3 (early intermediate).

Try to stay in the same hand frame (position) to avoid excessive twists.
Too many twists produces a choppy sound.

It usually works to stay in one hand position for say....

one sentence of a hymn before repositioning for the upcoming sentence.

Adjust the hand according to the highest note of the sentence.
You want the pinky to be able to reach the highest note.

Just look ahead to each new phrase and reposition your hand
as needed.

The Church Pianist: Excellent Resource for Church Pianists!

2009-09-11T19:07:00.000-07:00

New website: http://thechurchpianist.com/

If you're a church pianist searching for CD's to

listen to or maybe a new book for your church

choir or ladies' ensemble..then check out the

following website for lots of music and audio

samples!

There is also a free radio station with nonstop Christian
music to enjoy.

http://www.oldchristianradio.com/

As a church pianist, I'm always looking for good music to
recommend to the church family. This site allows you to
listen to samples of each CD. What an excellent resource!

The Church Pianist: Offertory Idea Using: Jesus is the Sweetest Name I Know

2009-09-07T19:06:00.000-07:00

Jesus is the Sweetest Name I Know is a very

old hymn that I like to play for offertory.

I attend a small church and therefore shorter
offertories are the best!

Sometimes I just start with the chorus of the
song and then on to the verse and chorus to make
it just long enough for the offering.

Here's an audio of how I would play "Jesus is the
Sweetest Name I Know" for a short offertory.

http://www.box.net/shared/rt28mdqmae

New website: http://thechurchpianist.com/

The Church Pianist: Free Piano Offertory (Part One)

2009-08-29T17:57:00.001-07:00

I enjoy simple offertories...meaning...piano arrangements

with a clear melody presentation.

I've written part one of a free piano offertory.

The lyrics are added to help the church pianist focus on

the message of the hymn.

In a future article, I will share the editor notes for this

piano selection; giving you explanations for my improvising

ideas in this free offertory.

I don't normally do this, but I'm creating this piano medley as I go. Part two
will present the rest of this free piano arrangment of the "Heaven Medley".

Links for the free offertory:

Part One:

http://thechurchpianist.com/church-pianist/the-church-pianist-free-piano-offertory-part-one/

Part Two with audio of complete offertory:

http://thechurchpianist.com/free-piano-offertory/the-church-pianist-free-piano-offertory-part-two/

The Church Pianist: The Invitation

2009-08-24T17:33:00.000-07:00

New website: http://thechurchpianist.com

As a church pianist, you all know that the invitation
is a crucial time. It's a time when many make life-
changing decisions.

Sometimes the pastor has me play while he's talking
during the invitation.

I try to convey a reflective yet urgent mood as pastor
encourages people to come forward as God leads.

Here is an audio sample of how I might play the background
music for the invitation:

http://www.box.net/shared/ov0upsoc7g

The Church Pianist: What is An Augmented Chord?

2009-08-19T11:24:00.000-07:00

New website: http://thechurchpianist.com/

The word "augment" means to make larger.

That is exactly what happens when a chord
is augmented...it is made a half step greater.

The augmented chord adds a touch of
"suspense or anticipation" to a song.

An augmented chord is just like a major
chord (in root position) with a raised fifth.

For example:

The C major chord in root position = C E G

The C augmented chord = C E G#

Any major chord can be augmented within
a song as long as it sounds right.

Alot of hymns use the augmented chord.

See the music image below. (Then read the following).

Did you find the augmented chords in the examples?

If not, here are the answers:

(There was only one in each example).

Moment by Moment: on the word "by"

Thank You Lord: on the word "for"

In part two, I will share how to use
the augmented chord as a chord substitution in
hymns.

Part Two can be found at:
http://thechurchpianist.com/chords/the-church-pianist-part-two-augmented-chord-substitution/

The Church Pianist: Free Manuscript Paper

2009-08-13T13:00:00.000-07:00

New website: http://thechurchpianist.com/

I came across Wendy's piano Studio while visiting

Music Matters Blog by Natalie Wickham.

Wendy has loads of resources for the pianist.

If you are a composer, you will enjoy accessing

her free manuscript paper at the following link.

http://www.composecreate.com/wendys-piano-studio/teaching-resources/manuscript-paper

The Church Pianist: Improvising Hymns (Part One)

2009-08-08T15:37:00.001-07:00

Short on time... but will share a simple fill-in idea

for hymns.

This improvisational idea works well at the end of

a verse.....leading into the chorus.

The following two ingredients are nesscary in order

to use this fill-in idea.

1.The final chord of the verse must be a I chord and

last for at least three beats.

2. The first chord of the chorus must also be a I chord.

For example: In G Major....the I (one) chord is GBD.

Description of the Fill-In Idea: (occurs in final measure

of verse)

On Beat #3...

1. Play a IV chord in the right hand

2. Play the V note of G Major in the left hand for the bass note

( note: D )

This creates the chord notation: IV/V

Editor notes for today's example:

After the word..."Thee" the right hand plays a "climb the ladder"

fill-in to make an easy transition to the upper register of the piano.

Follow this link to see another example of this fill-in idea:

http://thechurchpianist.com/?p=454

The Church Pianist: Hymn Appreciation

2009-08-03T08:38:00.000-07:00

New website: http://thechurchpianist.com/

Knowing the story behind a hymn
instills a deeper appreciation for the
hymn writer and its message.

Recently, I shared the unusual story
behind the writing of "There's Within
My Heart A Melody".

Such a happy tune and message...yet
born from a tragic accident.

Read the story:

http://thechurchpianist.blogspot.com/2009/07/church-pianist-theres-within-my-heart.html

I told you that I'd share the name of the book that
contained this hymn story and many more.

The book is entitled: "Hymn Histories" by Alfred Smith.

I had the privilege of accompanying Al Smith when he was
alive. ( I was a teenager at the time).

He would also share hymn stories...he actually knew some of
the composers personally....or friends of the hymn writers.

As a young girl, I heard Al Smith tell the stories behind some
of the great hymns of faith. The words of those hymns took
on new meaning as I sang them in church.

Alfred Smith was also a hymn writer. He wrote the well-known
hymn: "Surely Goodness and Mercy"....also the children's well-
loved chorus entitled: "Zaccheaus".

Our younger generation is losing their strong heritage of the great

hymns of faith. Why not bring a hymn to life by sharing its story?

See Alfred Smith's biography and "Hymn Histories" book at the

following links:

http://www.livinghymns.org/bio.htm

http://www.livinghymns.org/resources.aspx

The Church Pianist: There's Within My Heart a Melody

2009-07-30T18:37:00.000-07:00

New website: http://thechurchpianist.com/

How many of you know the song: There's Within
My Heart a Melody?

This joyful, peppy hymn was birthed from a very
tragic accident.

The author....Luther Bridges. Luther was known
for his energetic and sincere preaching.

At the age of 26 in 1910...Luther lost his wife and three
young children to a housefire while visiting his in-laws.

Luther felt overwhelmed with sorrow but remembered
the Lord's promise that the Lord would never leave him
or forsake him.

Burdened with sorrow, Luther was still able to penn these
words:

"There's within my heart a melody,
Jesus whispers sweet and low.
Fear not, I am with thee, peace be still.
In all of life's ebb and flow."

This hymn story as well as many others can be found in a
special book that I've had for years. I'll share the author
of the hymn histories book and where to find it in my next
article.

The Church Pianist:Youtube Pedal Tip (Lesson One)

2009-07-27T04:51:00.000-07:00

Does your piano playing ever sound choppy or cloudy and
you just can't figure out why?

Here's a short youtube video clip...introducing a pedal tip to help
revolutionize the sound of your playing!

http://www.youtube.com/watch?v=jvsf6Wt1RfA

Lesson two of this article will include a demonstration of this
pedal tip. Click here to see part two:

http://thechurchpianist.com/?cat=39

What is the Role of the Church Pianist? Part One

2009-07-25T11:12:00.001-07:00

Good question! The role of the church pianist varies from church
to church.

Before I share some thoughts with you...I'll explain our church...
so that you can understand where I'm coming from.

Our church is in the country nestled in the foothills of North Carolina.

The people are very friendly and family-oriented.

Most of the members have lived in the area most of their life.

What I'm trying to say is...the needs of the church determines the
criteria for the church pianist.

In some churches, the church pianist may be the only music person
available. In this case, the pianist may have to lead the congregation
and choir in song while playing the piano. What a challenge!
I know of at least one of my readers in this situation. I admire her
for her efforts.

At other churches, the pianist may serve the as role as pianist only.
(That's my role).

Whether you're the main person or just filling the role as church
pianist...the following tips will hopefully encourage and direct you
as you serve in the music ministry.

These are things that have personally helped me in my way of
thinking towards serving the music ministry.

1. I'm a servant...serving the Lord

2. Not to think of myself above others; no comparision
Each church member is of equal importance to God.

3. Love my church family

The following are natural outcomes of point #3...

4. Support and encourage those in the music ministry.
Example: "Your song was a blessing" or "Thanks for being
willing to sing or play."

5. Pray for those in the music ministry

6. Always communicate in love

7. Use constructive guidance as needed
(This can occur only after building a trusting relationship.)

This applies if the person or persons you're accompanying
are seeking helpful pointers.

Please understand...these are just a few ideas that have helped
to create a proper mindset in me as church pianist.

Each church is unique as far as their needs. Just ask God for
wisdom as you seek to serve Him where He has placed you.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Some of the following issues will be covered in part two:

*The relationship between the song leader and church pianist
(Who's in charge?)

*Job description of the church pianist (What's expected of me?)

*Developing the Special Music Program
(How the church pianist can help grow the special music program)

I can't wait to share these ideas with you in detail.

After reading this article, you may come up with your own ideas of
ways to become more effective as church pianist.

Above all else, may God receive the glory of our efforts as we seek
to serve Him in the role of church pianist.

Part Two of this article can be found at: http://thechurchpianist.com/?p=407

The Church Pianist: Accompaniment Ideas for Only a Sinner

2009-07-22T11:15:00.000-07:00

New website located at: http://thechurchpianist.com/

Most of the chorus of Only a Sinner is the C chord..

well...that is....if you're in the key of C to start with :)

I'll share some accompaniment ideas for the chorus

of this lively hymn.

Editor notes for Only a Sinner

(excerpt from chorus only)

Measure one: (see beats two through four)

The following accompaniment idea works well when...

Soprano and alto parts are written in consecutive thirds

for a while during a monotone bass line (repeated bass notes).

Simply transfer the alto to the left hand in octave format and

delete the alto from the right hand for a more balanced harmony.

This produces a more open tone like I've discussed in previous

articles.

Measure two:

Couldn't help it...had to throw in a chord substitute! Can you guess

which one? It's the vi chord (a minor) in place of the C chord on

beat one.

Hmm...on beat four...can you see what's taking place? It's similar to

measure one's scenario. I added a fill in using consecutive thirds...

split between the hands...doubled up. Make sense?

Measure four:

My favorite part! I love to add runs but haven't shared many with

you because I have trouble deciphering my rhythm and trying to

get Finale to accept it:)

*Note the fingering in the right hand run for ease of movement.

Well...got to get ready for prayer meeting. I pray you all have

a wonderful service tonight.

Sincerely,

Jenifer

The Church Pianist: New Website

2009-07-21T05:28:00.000-07:00

I'm excited to announce my new website!

Initially, the site will be set up as a blog.

On the new website, the music images will eventually
be set up in PDF format instead of PNG.

New articles will still appear here as well as the new
site until I get settled in.

Over the last few years, many have requested that
I offer arrangements for sale.

In time, I plan to offer some of the following for sale
on the new website:

Piano solos

Piano duets

Piano duos

Vocal arrangements

CD's

Feel free to visit the new website. Just remember, it's still
under construction:)

http://thechurchpianist.com/

The Church Pianist: Free Audio Sample of My Saviour First of All

2009-07-19T18:15:00.000-07:00

New website located at: http://thechurchpianist.com/

Talk about a quickie! I just had to share something
with you all before going to bed.

How many of you know the song: "My Saviour First
of All"?

Here's an audio of the verse...using strictly accompaniment
style for say.... a vocal solo.

You will hear a hint of melody sprinkled here and there.

This hymn has alot of busy words and therefore requires less
movement on the piano part; allowing the vocalist more freedom
of interpretation. (Using more ebb and flow for a conversational
effect).

http://www.box.net/shared/zo5btl552d

Hope everyone had a nice Sunday.

The Church Pianist: Nothing but the Blood (Free Accompaniment Ideas)

2009-07-13T12:42:00.000-07:00

New website located at: http://thechurchpianist.com/

I just played this song for the congregation yesterday.

Nothing but the blood of Jesus has a wonderful

message and I try to bring the text to life by

improvising with a lively accompaniment.

Do you realize that this hymn uses only two chords?

The I and V....meaning....G and D chord.

If the congregation sings parts...I have to use the

written chords to agree with the voice parts.

Editor notes for "Nothing but the Blood"

Verse One:

Right hand: Plays three to four notes for fullness

Left hand: Uses stepping down octaves for a march-like tone

Verse Two:

Right hand: Adds an eighth note rhythm for livelier sound

Left hand: Consists of alternating bass note movement

to avoid a montone effect.

Verse Four:

Right hand: Adds a little change; especially in the last measure

Left hand: Same pattern as verse one but in eighth note pattern.

Try applying these same accompaniment ideas

to the hymn: A Shelter in the Time of Storm

The Church Pianist: Printing Troubles?

2009-07-12T11:31:00.000-07:00

New website located at: http://thechurchpianist.com/

Having trouble printing the music images?

Most likely your browser is not set to print the images

by default.

Try this:

Right click the image (can only print one page at at time)

Click "Save as target"

Save the image file to your computer where you can find it.

Open up with your default or favorite image viewer.

Or....use "Windows Explorer" to locate the music image
you saved. Double-click the file and it will open so you
can print it.

Hope this helps those of you having printing troubles.

PDF images are more user friendly but this free blog site
does not support them. I have to convert all my pdf
images to jpg in order for them to be posted.

Please feel free to leave comments or questions.

Sincerely,

Jenifer

The Church Pianist: Foundational Tools for Improvising

2009-06-29T13:03:00.000-07:00

Before a pianist can improvise effectively,

one must have a common knowledge of the

major and minor scales.

Of course some pianists play by ear and may
sound wonderful but cannot explain theoretically

what they're doing.

I know...I also can play by ear but read music and

have studied theory. I do not claim to be the theory

expert but did have teachers that required me to

learn theory.

Over the past ten years, I've learned a good bit of

theory through personal study.

It's imperative to have a working knowledge of the

scales and chords in all major and minor keys.

Today's image displays some very important tools

that prepare the church pianist for improvising.

It's really quite simple when learning the scales and

chords with the numbering system.

For example, a scale consists of 8 notes. A chord can

be built on each note of the scale as demonstrated in

today's image.

When numbering the chords in the scale...the upper

case roman numeral refers to a Major chord and the

lower case roman numeral indicates a minor chord.

Notice, the notes in the chords are made up of 3rds.

Meaning....the notes are a third apart from each other.

Anytime a three note chord consists of consecutive

thirds...it is in root position...meaning...the bottom

note of that chord names the chord.

For example...the chord (CEG) is called a C chord

because it's made of consecutive 3rds and the

bottom note is 'C'.

Now you're ready to hear about chord extensions.

To create a richer or fuller chord...add another note

a 3rd from the top note. This is called extending

the chord.

For example: The C chord (CEG).

Add another note a 3rd from the top and you now

have: CEGB

Chord extensions can be used for either hand.

They work best in the left hand.

The scales and chords are the foundational tools

for learning to improvise.

For starters, learn the scales for the easy major

keys with their chords (triads).

Try: C, G, D and F Major

My new website: http://thechurchpianist.com/

The Church Pianist: Transposing (Part Two) Example #2

2009-06-25T10:51:00.001-07:00

Transposing is such a large topic to cover!

Transposing tips for today's example #2:

Notice how closely related the chords are

during the transposition; allowing for a smoother

harmonic transition.

For example:

Look at the measure marked

"key change". The first chord in the right

hand maintained the previous chord's top

note; only altering the bottom two notes.

A slight ritard during the key change prevents

a rushed transition.

Try transposing on your own. For easier practice,

choose two hymns with similar moods and time signatures.

*Link to the first example for Transposing (Part Two)*

http://thechurchpianist.blogspot.com/2009/06/church-pianist-transposing-part-two.html

Please feel free to ask questions or leave comments.

Thanks again for visiting!

My new website: http://thechurchpianist.com/

The Church Pianist: Transposing (Part Two)

2009-06-22T11:15:00.000-07:00

Transposing up a minor 3rd can be

done in several ways.

For sake of simplicity, I will share one

way in this article.

Use the ii 7 and V 7 of the new key to

make the transition between keys.

For example:

If you want to go from C Major to E flat Major

(which is a minor3rd)....use the following chords

for the key change...f minor 7 (F, A flat, C, E flat)

and then...B flat M/m 7 (B flat, D, F, A flat).

Of course, the notes to these chords are distributed

between both hands for proper sound balance.

Think of 7ths as add-ons. They aren't necessary but

add richness to an otherwise basic chord.

Today's music image only contains one example due

to a busy week of VBS at our church.

I will post another example for this transposition in

the next article.

My new website: htpp://thechurchpianist.com/

The Church Pianist: Prelude tip.

2009-06-21T11:00:00.000-07:00

Here's a tip that may help the church
pianist for the end of the prelude.

Does your choir sing an opening chorus
to begin the service?

If they do, I try to make sure my last
prelude song is in the same key as the
choir opener.

This allows for a smoother transition
into the introduction for the choir opener.

My new website: http://thechurchpianist.com/

Transposing: Part One

2009-06-18T12:14:00.000-07:00

Part One

Being able to transpose from one song to

another takes practice. It's not as hard as

you may think. Just one chord is really all

you need....no matter what key!

Today's article will introduce this popular chord...
the V 7 of the new key (the key you want to
transpose to).

For instance, say... I want to go from G Major to A flat
Major (a half step higher).

Well...the V 7 chord in the key of A flat Major is
E flat. ( You always have to think ahead to the new key
to compute the V 7 chord).

The distance of keys between the two songs determines
what chords will sound best for the transposition.

You can always count on the V 7 chord of the new key
as a great link between the keys.

I'll begin by introducing two examples for transposing a
half step (minor 2nd) higher from the original key.

Editor notes for today's example:

*Songs with matching moods need no ritard for
ease of transistion.

* Songs with different moods require a ritard;
allowing time for a gear shift :)

*It does sound nice to lower the 7th tone of the original

key before moving into the V 7 chord of the new key.

I always lowered the 7th tone in the left hand for a nice

octave progression into the V 7 chord.

Audio of today's examples:

http://www.box.net/shared/8xce5tcr2b

Click on the following link for more information
on transposing.

http://4.bp.blogspot.com/_J2pOU0hVo48/SSYWWBNLdBI/AAAAAAAAAPo/qa4rbbLD0xE/s1600-h/-+%5BTransposing+up+a+whole+step.png

My new website: http://thechurchpianist.com/

The Church Pianist: Part Two of How Great Thou Art (Free Piano Arrangment)

2009-06-15T13:24:00.001-07:00

I apologize...but I made a mistake on page one of

the How Great Thou Art piano arrangment in

Saturday's article.

Here is the complete arrangement of How Great Thou Art.

I will also share an audio of this free piano arrangement.

http://www.box.net/shared/8dgmzlhzz7

A youtube video of my advanced arrangement for "How Great Thou

Art" can be found at:

http://www.youtube.com/watch?v=wK91iQ_iClU

My new website: http://thechurchpianist.com/

The Church Pianist: Free Piano Arrangement: Part Two

2009-06-02T11:48:00.001-07:00

My new website: http://thechurchpianist.com/

This free piano arrangement is written in

prelude style...very basic.

When I play this for prelude, I use more of

the upper range of the piano for my right hand;

allowing more space for my left hand to fill-in.

Later on, I can share the way I really play this

song but wanted to keep it as simple as possible

for those at an intermediateto early advanced level.

This free piano arrangement can also be used as an

offertory in the smaller church.

Part one of this arrangement can be found by clicking

on the following link:

http://thechurchpianist.blogspot.com/2009/06/church-pianist-free-piano-arrangement.html

The Church Pianist: Free Piano Arrangement

2009-06-01T19:15:00.000-07:00

Well, I managed to squeeze in a verse

of a free piano arrangement for

"Standing on the Promises" prelude

style.

I enjoy bringing the old hymns to life

with chord subsitutions and fill-ins.

Tomorrow I will share the remainder

of this song in prelude style.

My editor notes for this free piano

arrangement will appear in a future

article.

My new website: http://thechurchpianist.com/

The Church Pianist: Hymn Improvising Tip

2009-05-28T13:47:00.001-07:00

My new website: http://thechurchpianist.com/

Here's an easy hymn improvising tip that

can create a more open; pleasing tone when
improvising with the left hand.

Any time you play a triad (in consecutive
thirds)...keep it above Bass C.

Actually, any three note chord begins to
sound muddy or heavy when played below
Bass C.

I just play a two note chord when playing
chords lower than Bass C.

I'll give some visual examples to help
clarify this simple improvising tip.

The examples are written at a easy level
for a hopefully, clear presentation.

The Church Pianist: Improvising tip

2009-05-26T18:01:00.001-07:00

My new website: http://thechurchpianist.com/

Here's a simple improvising tip for
left hand when playing chords in an
accompaniment pattern.

Avoid playing a close-knit chord
(consisiting of consecutive thirds)
lower than bass C (which is the next
C under Middle C)

Example of close-knit chord: CEG

Why? To avoid a muddy; heavy tone.

Lighten up the sound of the left hand
accompaniment by playing only two
note chords when it involves the area
of bass C or lower.

The next article will contain visual examples
of today's improvising tip.

The Church Pianist: The Star Spangled Banner: Free Piano Arrangement

2009-05-23T13:01:00.000-07:00

My new website: http://thechurchpianist.com/

I started having too much fun writing this

free arrangement of Star Spangled Banner.

What I mean by that is....it's hard for me

to keep things simple. I want to dress it up

some.

This is not written to be done as strictly as a

piano solo but as accompaniment for the

church congregation.

You'll notice on page two of the arrangment

that I deleted some melody notes on purpose

starting on the third line.

Why? During repetitive melody note passages

it helps to hold through repeated notes to avoid

a choppy or mechanical sound.

See link below on repeated notes:

http://thechurchpianist.blogspot.com/2008/08/pianists-tips-for-hymnal.html

Link to page one of The Star Spangled Banner:

http://thechurchpianist.blogspot.com/2009/05/church-pianist-star-spangled-banner-in.html

Here's an audio of the entire arrangement

of The Star Spangled Banner...

http://www.box.net/shared/fpb5k02lzx

Hope you enjoy this free piano arrangement!

The Church Pianist: The Star Spangled Banner in Key of G (Part One)

2009-05-22T14:09:00.000-07:00

My new website: http://thechurchpianist.com/

Some church pianists may say I'm committing

a crime by transposing the Star Spangled Banner.

Seriously, it's rather high for most people

in the average small church congregation.

Of course it has its lows at the beginning.

Extreme ranges to be sure!

Just thought I would share The Star Spangled

Banner in a lower key with the small church in

mind.

This is just part one of the Star Spangled Banner

in the key of G. I will post the remainder in the

next article.

The next post will also provide an audio of this

simple arrangement.

Hope it's useful to some of you church pianists.

The Church Pianist: Improvising Hymns with Chord Inversions

2009-05-21T16:17:00.000-07:00

My new website: http://thechurchpianist.com/

Chord inversions add variety when improvising hymns.

A root chord such as C E G (consecutive thirds) can be inverted
two different ways for variety in sound.

See the following link for a simple explanation of chord inversions.

http://thechurchpianist.blogspot.com/2009/02/church-piansit-using-chord-inversions.html

The following scenario makes good use of chord inversions.

When one chord lasts for at least 4 beats....the left hand
can invert the chord (same chord...just in a different note
order).

Example #1 (There is a Fountain) *See image below

The first left hand broken chord begins with the note "C"
"C" is the root of the C chord....so this broken chord would
be considered the root chord (even though E and G swapped
places for a more open tone).

The second broken chord of the left hand begins on note "E".
This is still a broken C chord but....considered in first inversion.
The true order of the C (first inversion) is EGC....but G and C
swapped places to create a more open tone.

Basically, the bass note dictates what chord inversion is being used.
But...you have to look at the complete picture for this analysis.
Meaning...notes in both hands must be combined for proper
chord analysis.

Special note:

A chord in 1st inversion is labeled with the number six (6)
Why? Well...remember that the notes in the first inversion
of a C chord are: E G C

The note "G" is the 6th note from the bottom note (E)

The same left hand chord pattern occurs in "Just As I Am".

What a mouthful! Hope this makes sense. Feel free to ask
questions if needed.

Chord inversions add color to improvising!

The Church Pianist: Free Piano Arrangement of Just as I Am

2009-05-16T13:22:00.000-07:00

A free piano arrangement

Just As I Am...

This is an intermediate arrangement I just

wrote for one of my piano students who is

starting to play more for the church service.

My new website:

http://thechurchpianist.com/

The Church Pianist: How Great Thou Art Piano Arrangment: Chord Substitutions

2009-05-11T18:31:00.001-07:00

My new website: http://thechurchpianist.com/

I at least have time to share the chord sub-

stitutions for the ending of "How Great Thou
Art" piano arrangement.

This piano arrangment of "How Great Thou Art"
can be heard at the following link:

http://thechurchpianist.blogspot.com/2009/05/church-pianist-youtube-of-how-great.html

See the written ending of "How Great Thou Art" below:

The Church Pianist: Youtube of How Great Thou Art

2009-05-09T17:18:00.001-07:00

New website: http://thechurchpianist.com/

I haven't had much sit down time in a good while.
So...thought I'd share another youtube video.

This is one of my arrangements of How Great Thou
Art.

I take some of my vocal and piano students
to a local nursing home about 3 times a year for
a reach out ministry.

This arrangement was played at our last nursing home
visit in April.

I do use several different chords on the end for a regal
sounding finale.

For regal ending ideas, click on the following link.

http://thechurchpianist.blogspot.com/2008/10/church-pianist-song-endings.html

The next article will provide a free written (simplified) sample of my ending.

Click on the following youtube link to hear the arrangement of

How Great Thou Art.

http://www.youtube.com/watch?v=zQsW1Yv8roo

The Church Pianist: Part Two of Free Patriotic Piano Arrangement: America the Beautiful

2009-05-07T08:44:00.000-07:00

New website: http://thechurchpianist.com/

Here is part two of yesterday's free patriotic

piano arrangment.

See the following link for part one (page one).

http://thechurchpianist.blogspot.com/2009/05/church-pianist-part-one-free-patriotic.html

Audio of the entire arrangement:

http://www.box.net/shared/i0x1mft8f3

The Church Pianist: Part One: Free Patriotic Piano Arrangement

2009-05-06T12:19:00.000-07:00

New Website: http://thechurchpianist.com/

I felt in the composing mood last night before

bed....so here is a free patriotic piano arrangement.
(part one)

There never seems to be enough patriotic piano
arrangments available.

Maybe this patriotic arrangement will be helpful
to the church pianist who attends a smaller church.

Short offertories are always beneficial;
especially when it's free.

Audio of today's free piano arrangment:

http://www.box.net/shared/015yy3hmis

The Church Pianist: Accompanying the Vocalist (Youtube Video)

2009-04-28T17:17:00.000-07:00

New website: http://thechurchpianist.com/

Accompanying the vocalist is one of my
favorite things to play for in a church service.

I'm able to stray from the melody and just play
within the chord frame of each measure.

Chesney, is one of my voice students. The Lord
has blessed her with the ability to sing and play
the piano.

I appreciate her sweet and willing spirit to
serve the Lord through music.

I had Chesney sing this song to allow me to share
with you all...accompaniment ideas for the vocalist.

The song, "Come Thou Fount" has a busy melody
line! This means less movement for the pianist;
using more of a chording style.

Notice the introduction has a hint of the melody
but doesn't use the typical introduction.
(Meaning....the first and last phrase of the song.)

The interlude before the last verse allows the singer
a chance to get his or her breath. :)

Youtube video link:

http://www.youtube.com/watch?v=EzYr30HYfc0

The Church Pianist: Accompanying the Vocalist (Youtube Video)

2009-04-27T17:35:00.000-07:00

New website: http://thechurchpianist.com/

Today, I'll share a video of me accompanying
one of my voice students... Chesney... singing
"Trust and Obey".

Hopefully, you will be able to observe some of
what I've discussed in other articles regarding...
accompanying the vocalist. Please excuse the loud
piano:(

Related links:

http://thechurchpianist.blogspot.com/2008/12/church-pianist-accompanying-vocal.html

http://thechurchpianist.blogspot.com/2008/10/church-pianist-improvising-tips-for.html

I do use some melody here and there in the
accompaniment.

Listen for the altered vii diminished chord in
the last verse. What word did it occur on? :)

Related article discussing the altered vii diminished chord:

http://thechurchpianist.blogspot.com/2009/01/church-pianist-stately-chord.html

Youtube link for video of Trust and Obey:

http://www.youtube.com/watch?v=vNfKYhQJe-A

The Church Pianist: Choir or Congregational Accompaniment:Part Two (When the Roll is Called Up Yonder)

2009-04-24T14:47:00.001-07:00

New website: http://thechurchpianist.com/

Here is part two of yesterday's article providing

a free choir/congregational arrangement of

When the Roll is Called Up Yonder.

I love dressing up the chorus with an alternate

melody that fits within the chords being used.

Please note: This arrangment does agree with

all four voice parts in the hymnal.

I'm unable to use chord substitutions to prevent

clashing with the written chords but I do add

chord extensions here and there.

A chord extension is created by adding another

third above the root chord.

For example, this song is in A flat Major.

The A flat chord = A flat, C and E flat (consecutive 3rds).

Well, add a minor third above the final note and you land

on G flat. It adds a rich flavor (oops!..I'm hungry so I have

food on the mind).

For more information on chord extensions, click on the link

below:

http://thechurchpianist.blogspot.com/2009/01/church-pianist-chord-extension-for-ii.html

Audio for the full arrangement of When the Roll is

Called Up Yonder:

( I did play all four voice parts to give the full effect of

the added accompaniment).

http://www.box.net/shared/kepd9kp6m5

The Church Pianist: Piano Accompaniment for When the Roll is Called Up Yonder

2009-04-23T16:44:00.000-07:00

New website: http://thechurchpianist.com/

When the Roll is Called Up Yonder is a nice upbeat
hymn but contains alot of repeated chords.

This song needs a facelift when it comes to piano
accompaniment.

For this type of hymn, I like to use alternating
bass notes in octave format for the left hand.

Example: This particular hymn is in A flat. Therefore,
the one chord is A flat. The notes of the A flat chord are:
A flat, C and E flat.

Look in measure three:

The main chord for this measure is A flat. I played an
A flat octave in the left hand on beat one. On beat three,
I changed (alternated) the bass note to an E flat which
belongs in the A flat chord. (the 5th of the chord).
Makes a big difference!

Notice how I inserted some rests here and there for the
right hand. It's just another way of adding variey to the
piano accompaniment.

Several triplets are sprinkled throughout to add extra zest.
(See measures: three and eight).

In the next article, I will provide the rest of the piano
accompaniment for When the Roll is Called Up Yonder.
(chorus section).

Audio sample:

http://www.box.net/shared/hkf832ek5u

The Church Pianist: Part Two of Piano Chord Analysis: Free Piano Sample

2009-04-20T16:08:00.000-07:00

New website: http://thechurchpianist.com/

I'm sharing part two of the piano solo:

"More About Jesus" with a chord analysis.

In the hymnal, this song only uses three chords:

I , V7 and ii That's it!

In today's free music sample, I'll share some different
chords to add color to the text.

The vocal score is shown with the piano score for chord
comparsion.

Editor notes for today's free piano sample:

Overview:

A simple piano accompaniment was used for a more

(hopefully) clear presentation.

Measures 1 and 2:

To prevent playing the same chord (A flat) for two measures...
play a "climb down bass" pattern; creating a smooth harmonic
flow from one chord to the next. (see chord numbers in music).

Measure 4:

The V7 chord occured in the RH (labled in music)
with both hands finishing on the I chord for the word "me".

Measures 5 through 8:

A different rhythm pattern begins for variety.

Measure 5:

The I - V7 - I chord progression is used to prevent
repetitive A flat chord.

Measure 7:

Chord subsititution: The ii replaced the original V7
and resolved back to the V7.

Chord Tip:

Remember... the bass note does not always
dictate what chord you're using. You have to combine
the notes from both hands putting them in consecutive
3rds to determine the root chord.

Click on following link to see more about the ii chord
substitution from measure #7

http://thechurchpianist.blogspot.com/2008/11/church-pianist-chord-substitution.html

Audio of today's free piano sample:

http://www.box.net/shared/i8de6j5ptn

The Church Pianist: Using Chord Substitutions for..... More About Jesus

2009-04-15T15:13:00.000-07:00

New website: http://thechurchpianist.com/

I enjoy using chord substitutions for a hymn

that would normally sound rather plain.

The hymn, More About Jesus, has a rather

mundane bass line. The whole song mainly

consists of the one (I) and five (V) chord.

This particular hymn is written in A flat.

Therefore, the one chord is A flat and the

V chord is E flat (E flat is the fifth note

of the A flat scale).

I will show you the vocal score against the

piano score so you can see what I changed.

Please remember, the piano score will only

work as a piano solo because the chord substitu-

tions would clash with the vocal parts.

Editor's notes for Part One of More About Jesus

Measure One:

I used a IV chord in the left hand on the

syllable..."Je" of the word "Jesus".

A IV chord can be inserted when the I chord

lasts 3 beats or more beats.

The right hand is playing a suspended chord

which I will explain in another lesson.

Measure two:

Left hand plays a stepping down pattern leading

into the vi 7 chord on the word "know".

Alot is happening in this measure to the next

measure.

So....when a I chord lasts for 3 or more beats and

is moving into a V chord....you can substitute the

I chord with the vi chord and....

Measure three:

.....then substitute the V chord with the ii 7 (as long

as the V chord lasts long enough to resolve back to

the V chord...basically three or more beats.

The original chord progression for the vocal score is...

Measure one: I chord

Measure two: I chord

Measure three: V chord

Measure four: I chord

The new chord progression in the piano score is...

Measure one: I to a IV

Measure two: I to a vi 7

Measure three: ii 7 to a V 7

Measure four: I chord

I'm in somewhat of a rush but hope I've made myself

clear.

We leave in the morning for Pigeon Forge and i'm

looking forward to dreaming up more articles on the

trip!

The Church Pianist: Piano Introductions (Free Samples) Part Four

2009-04-14T14:22:00.000-07:00

New website: http://thechurchpianist.com/

Today's free samples of piano introductions cover
hymns beginning with an incomplete measure.

Not sure what I was thinking earlier when I ment-
ioned these type of introductions being tricky.

Although, there are some hymns with tricky intro-
ductions because they have two different time
signatures.

I will cover tricky introductions in another article.

The most important thing to remember when
playing introductions.....keep it moving :)

Also, remember to give a rousing introduction for
peppy songs and a more subdued mood for
devotional type hymns such as :
"A Child of the King" ...used in today's free samples
of piano introductions.

I will share an audio of today's samples.

http://www.box.net/shared/5o8my7ebku

The Church Pianist: Free Easy Vocal/Piano Arrangement for It is Well

2009-04-13T17:53:00.001-07:00

New website: http://thechurchpianist.com/

This is an easy piano accompaniment
for a vocal solo of "It is Well".

I wrote it for a level book three student.

I'm training her to become one of our

church pianists.

You're welcome to use this for yourself

or one of your students.

(Due to a hectic weekend, I posted this quickie today).

Tomorrow, I plan to post part four of Piano Introductions.

The Church Pianist: Piano Introductions (Songs in 3/4 Time)

2009-04-11T17:22:00.001-07:00

New website: http://thechurchpianist.com/

Piano introductions should be simple;

giving a sufficient sampling of the tune

to ensure a confident entry for the song

leader and congregation.

As I prepared today's music examples...

several tips came to mind for piano intro-

ductions which I'll share in another article.

As you'll discover in today's introduction examples...

introductions do not have to be very long.

Just provide enough of the beginning of the tune

with a secure ending.

The next article will be entitled:

Piano Introductions: (Part Four)

Songs starting with incomplete

measures.

Songs with incomplete measures can be quite

tricky when it comes to piano introductions!

I'll share some examples and tips concerning

this topic in the next article.

The Church Pianist: Piano Introductions Part Two: Hymns in 4/4 Timing

2009-04-07T09:43:00.000-07:00

New website: http://thechurchpianist.com/

Piano introductions need to be simple to follow

to ensure a confident entry.

Here are some examples of piano introductions in
4/4 time.

Editor notes for today's music image:

*Christ the Lord is Risen Today... (third measure)

I played single eighth notes here and there in
the right hand for ease of movement through
a fast passage.

*Standing on the Promises... (second measure)

To avoid using a B flat chord for the entire measure,
I used an E flat chord on beats three and
four for chord variation. In theoretical terms, the IV
chord (E flat) replaced the I chord (B flat).

I also altered the melody onthe fourth beat to create
a smoother melodic transistion into the next measure.

Just remember: No ritard at end of introductions :)

Hope you're able to make use of these piano introductions.

Hear piano introductions:

http://www.box.net/shared/jjdpoocu2y

The Church Pianist: Audio Samples for Free Piano Arrangements

2009-04-06T13:02:00.000-07:00

New website: http://thechurchpianist.com/

I'm sharing article links with added audio samples
for the following free piano arrangements from
previous articles.

It always helps me to hear the arranger's interpre-
tation of his or her arrangment.

Click on the following article links that now contain
audio samples for:

Free piano solo of "Jesus Paid it All"

http://thechurchpianist.blogspot.com/2009/02/church-pianist-free-piano-arrangement.html

Piano arrangement for "What a Friend We Have in Jesus"

http://thechurchpianist.blogspot.com/2008/11/church-pianist-free-piano-arrangement.html

The Church Pianist: Piano Introductions: Part One...6/8 Timing with Fermata Endings

2009-04-04T10:07:00.001-07:00

New website: http://thechurchpianist.com/

I enjoyed writing these piano introductions for hymns

in 6/8 timing containing fermata endings.

Remember that a fermata is a bird's eye looking symbol
written over notes. They are usually found close to the end
of songs. You simply hold these notes a little longer than the
norm.

Special note:

The church pianist must ignore these holds when playing
introductions.

See previous article on introductions for more information:

http://thechurchpianist.blogspot.com/2008/09/church-pianist-introduction-tips-for.html

Here's an audio of Piano Introductions (Part One)

There's a slight pause between each example and
I play a little of the song after each introduction.

http://www.box.net/shared/volkaqz29y

The Church Pianist: Improvising for Beginners Using Nothing But the Blood (Lesson One)

2009-04-02T10:12:00.000-07:00

New website: http://thechurchpianist.com/

Today I'll be teaching one of my piano students
her first hymnprovising lesson.

My motivation may be a little selfish on my part.
I need another pianist to help out at church and
this student (Faber Book Level 3A) is ready for
the challenge!

For those of you who are beginners at improvising....
this may help you.

The hymn I'll improvise with her today will be
"Nothing But the Blood of Jesus" in the key of F.

I'll introduce just the verse today...giving her a small
portion to focus on.

The lines of the verse have the same melody and
chord structure,making it easy to reinforce the
improvised notes.

Special note:

This student has learned the scales,
root chords and inversions in the keys of:
C, G, D, A, and F Major
a, d and e minor

It's important to have a working knowledge
of the above scales and chords/inversions before
improvising from the hymnal.

Todays' lesson for "Nothing But the Blood"

*The hymnal is written for voice parts only

*Identify: saprano, alto, tenor and bass notes

*Add tenor note to right hand for more fullness

*Point out that sometimes it's better to hold a
chord through fast repeated note passages
such as measure # 3, beat one.

Assignment for "Nothing But the Blood of Jesus"

1. Play right hand with added tenor note

2. Fill in the right hand for the second line of music
(why? for added reinforcement and exposure to
seeing and playing correct music grammar).

3. Use the suggested fingering for ease of movement

I'll try to make this beginner series a weekly article.

Feel free to use this for your students or yourself to

learn how to improvise hymns.

The Church Pianist: Moderated Comments

2009-03-31T14:06:00.000-07:00

New website: http://thechurchpianist.com/

For those of you wanting to ask questions without
going public....

I do moderate my comments and will keep it private
if it's a question you'd rather not have publicized.

Please make it clear in your comment to avoid any
misunderstanding.

So far, comments have been helpful to post for others
to see.

Thanks for all your comments/suggestions! They have
helped me create articles for this blog that have benefited
others.

The Church Pianist: He Lives (fermatas)

2009-03-30T17:30:00.000-07:00

New website: http://thechurchpianist.com/

The hymn "He Lives" has several
fermatas at the end that can be awkward
for the church pianist.

Here's an example of what I play at the end of
"He Lives" for congregational singing.

The secret to a well-felt fermata is for the church
pianist to keep the music (tempo) moving while
the singer(s) hold the note.

If the pianist stops on the fermata note, it will
disrupt the flow of the music and cause
confusion on when to start up after the held
note.

Listen to the following excerpt of today's
free music sample of "He Lives".

http://www.box.net/shared/32mvekl4il

The Church Pianist: Helping the Vocalist/s

2009-03-24T13:59:00.000-07:00

New website: http://thechurchpianist.com/

The church pianist can play an important role
in encouraging the vocalist/s that provide
special music for the church service.

This is especially true for the beginner vocalist
or a young child that needs the extra guidance.

The following, is a list of things I do to put the
vocalist at ease.

These tips are merely suggestions for anyone
needing some ideas.

*Have the vocalist leave his music on top shelf
underneath the pulpit (book opened) before the
service begins. This procedure ensures the music
is ready and in place. (As long as the pastor knows
you're doing this, so he won't move it) :)

During (shake hands) time or some other transistional
time before the message....the vocalist or vocal group sits
on the front row to allow for a shorter entrance to the
stage. (timesaver)

*The pianist begins playing the introduction as the
vocalist walks to the pulpit to avoid an awkward
moment of silence for the vocalist. The early piano
introduction also produces a smoother transistion
into the special music time....keeps things moving!

(I always play softly as vocalist/s enters the stage
and increase my volume toward end of intro so that
the vocalist knows I'm nearing the end of the intro-
duction.

*Special notes: (For ensembles)

If I'm playing for an ensemble...say....six or more people...
I play softly at the end while they exit the stage; covering
an awkward moment of silence while pastor waits for the
stage to clear.

Also, the ensemble will share a notebook of music per 2 people.
They carry their notebooks up with them to sing.
(Easier in this case than having everyone try to retrieve their
music from under the pulpit.) :)

Once again, these are only suggestions that may benefit some
church pianists depending on their situation.

As a church pianist, I'm always looking for ways to encourage our
vocalists who provide our special music. The Lord has blessed our
church with so many willing vocalists!

The Church Pianist: Jesus is Coming Again (free sample)

2009-03-23T16:58:00.000-07:00

My new website: http://thechurchpianist.com/

The hymn, "Jesus is Coming Again" is a beautiful

hymn.

This hymn comes to life when sung in 6/8 time;
although it's written in 6/4.

6/8 time is a faster tempo. I will post an audio below...
showing the contrast between 6/4 and 6/8 time.

I've only included the first phrase of the song....giving
you an idea of a pattern to use for a fuller sound.

The more full your accompaniment....the better support
for the singers.

Editor's notes for today's free sample of

"Jesus is Coming Again"

Measure one:

The word "Marvelous" is naturally stressed in this first sentence requiring the pianist
to accent this word. The staccato notes following the accent is an excellent stress
reliever for the hand as I've mentioned in previous articles.

Overall tips:

The right hand needs to breeze freely through the busy octaves; stressing only the important words. Otherwise, your right hand will get bogged down in the mud; preventing ease of movement.

Explanation of today's audio clip:

First example will be in 6/4 time

(slight pause) and then....

Second example will be in 6/8

http://www.box.net/shared/0fg3acopfc

The Church Pianist: Part Two (Free Piano Arrangement for Congregational Singing)

2009-03-22T11:18:00.000-07:00

My new website: http://thechurchpianist.com/

This is part two of yesterday's free piano arrangement

of "Are You Washed in the Blood".

Because I left out the first two words of the chorus on page

one...I'm including both pages with the added words in this

article.

Editor's notes for today's free arrangement:

Measure 11 and 12

More dotted rhythm for a peppy tone

Measure 13

I would use this bold octave movement for the final verse.

Click on the following link to hear an audio of today's free

arrangement.

http://www.box.net/shared/7amvlq0bj1

The Church Pianist: Free Piano Arrangment for Congregational Singing: Part One

2009-03-20T17:16:00.001-07:00

My new website: http://thechurchpianist.com/

Here's part one of a free piano
arrangement for congregational
singing of "Are You Washed
in the Blood?"

The piano arrangment supports
the four parts as written in the
hymnal.

I chose to display just the melody
for time's sake.

Editor's notes for today's free arrangment:

Measure two:

Left hand plays alternating bass octaves for a
more interesting bass line.

Measure four: (4th beat)

For harmonic balance, notice how I left out
note: G in first right hand eighth chord
and note: F in second right hand eighth chord.

Why? I used them in my left hand instead.

Omitting those notes in the right hand
gives a more opentone.

Try adding the omitted notes to the right
hand with left hand included, to hear the difference.

Measure five:

Left hand plays stepping octaves starting out with
a dotted rhythm which adds more life!

Measure 6:

Once again, I add dotted rhythm to left hand for
extra spice. (to be used sparingly for proper balance)

General notes:

Take note of the staccato markings throughout. It's
meant as a light staccato for interpretation.

I lift the damper pedal for every staccato note which
relieves hand tension and adds a more peppy sound
to the music.

See audio for full arrangment on next article.

The Church Pianist: Free Easter Piano Offertory (My Saviour's Love)

2009-03-11T19:27:00.000-07:00

My new website: http://thechurchpianist.com/

Every church pianist could use a free offertory

for Easter.

Here's one I arranged several years ago and handed

out in a hymnprovising workshop.

I've tweaked it a bit since then... so here's the updated

version.

Click on the link below to hear/see a video of the

arrangement.

http://www.youtube.com/watch?v=78AB0UWBVaM&feature=channel_page

This free offertory is my Easter gift to you!

The Church Pianist: Free Invitation Piano Solo

2009-03-10T17:56:00.000-07:00

My new website: http://thechurchpianist.com/

This free invitation piano solo
will hopefully reflect the message
of this hymn.

I enjoy playing this hymn for invitation.
It speaks of total submission to God....
a good reminder to me every time
I play it.

Some church pianists may play softly
for background music during the invitation
to create a prayerful, reflective mood.

If so, it's nice to be able to play different chords
other than what's written.

Sometimes the most simple arrangement is most effective
during this time....so as not to distract from the message
of the song during a quiet, soul-searching time.

I will share a sound clip of this free arrangement to give you
an idea of the conversational tempo and expression.

http://www.box.net/shared/rjac9p6nrt

The Church Pianist: Improvising Ideas for chorus of "To God be the Glory"

2009-03-09T17:55:00.000-07:00

New website: http://thechurchpianist.com/

The chorus of "To God be the Glory" is rather

plain in the hymnal because it uses only the
I and V chord.

The following improvising ideas will help dress-up
a rather mundane bass line.

Editor's notes for today's music example:

Measure #1

I usually rest during these words... but wrote
a note in the first measure for congregations
who depend on the piano to help them enter a chorus.

Measure #2

Right hand plays an echo instead of sitting still for two beats.

Measure #2 and 3

Left hand plays an alternating bass for the A flat chord
For example: the chord for measures 2 and 3 is A flat.
I simply use the 5th note of the A flat chord (which is E flat)..
as my alternating bass note for variety.

Measure #4

A grace note in the right hand adds extra life to the song.

Measure #8

The right hand can play a repeated E flat octave which works
well since the chord in that measure is E flat.
The left hand fills in with stepping octaves, giving extra
movement for added zest!

The chorus of "To God be the Glory" can be livened up by
a few improvisational ideas like this to make the song
more meaningful.

Try playing this example and notice how the hand feels even
more free, not having to be a slave to the melody.

The Church Pianist: Piano Accompaniment for Christ Arose: Part Two

2009-03-07T12:20:00.000-08:00

New website: http://thechurchpianist.com/

Here is the rest of the piano
accompaniment for the chorus
to: "Christ Arose".

Editor notes for today's example:

Measure #8

The right hand begins breaking up
the beat with eighth notes due to the
slight rit.

Measure #9 and 10

Right hand triplets for the militant tone

Measure #10

Left hand plays alternating bass octaves
for the chord: E flat

Measure #11

Full chords on the end for a grand finale sound

"Christ Arose" is a beautiful hymn and should sound
triumphant!

I hope the piano accompaniment ideas for
this hymn will help you as you prepare for Easter.

The Church Pianist: Part One of Congregational Accompaniment for Christ Arose

2009-03-06T16:13:00.000-08:00

My new website: http://thechurchpianist.com/

Easter is just a little over a month away!

Here are some improvising ideas to use when
accompanying congregation on the chorus of
"Christ Arose".

"Christ Arose" uses very basic chords. The
church pianist needs to dress up this song to
enhance the message.

Editor's notes for today's music image:

Measure #2

Right triplets on second beat adds a militant tone.

Measures #1 and 2

Left hand plays stepping down octaves for march-style

Measure #5

Right hand plays dotted rhythm on second beat to create
a victorious sound.

Remember it's not necessary for the pianist to play
every word when accompanying.

I'll share the rest of the congregational accompaniment
for "Christ Arose" (chorus only) in the next article.

The Church Pianist: Part Two of Free Vocal Arrangement

2009-03-02T17:41:00.000-08:00

My new website: http://thechurchpianist.com/

This is the chorus to yesterday's free vocal
arrangment.

Editor's notes:

Measure #11

Rolled chord on beat one of LH to produce
a 'sweet' sound for the text.

Measure #12

Broader feel to this measure as I picture
a ray of light spreading over me.
(look at the words to understand this).

Measure #14

The LH sixteenths keep the rhythm alive
while supporting the held note of the singer.

Measure #15

Once again, a few sit still chords in the RH
to allow the singer freedom to slow down
as he feels led.

Here's an audio sample for today's sample:

Special note:

Ignore the few notes at the beginning.
They were done to synchronize the two track
recording.

http://www.box.net/shared/c4tram6lrg

The Church Pianist: Free Vocal Arrangement (Part One: Interpretation)

2009-03-01T13:11:00.000-08:00

My new website: http://thechurchpianist.com/

Today's free vocal arrangement may give the
church pianist accompaniment ideas
for the hymn "The Light of the World is Jesus".

I enjoy bringing the old hymns to life by adding
improvisational ideas that enhance the text.

Editor notes for today's music image:

*First sentence: simple chording works well
for hymns with busy words.

This frees up the singer to sing with more ebb
and flow through busy sections.

* The main emphasis is...focus on the message
and follow the singer.

*Sixteenth note passages were sprinkled here
and there to brighten the tone for appropriate
words.

I'll share an audio of the full arrangement in the
next article.

The Church Pianist: Easy Offertory Idea

2009-02-27T18:55:00.000-08:00

New website: http://thechurchpianist.com/

I don't know about you but I can always use some
simple offertory ideas!

The following offertory idea would work great for
two pianos or piano and organ.

Some hymns lend themselves to a 'question-answer'
format.

For example, A Shelter in the Time of Storm.....

Piano One plays the first sentence:

"The Lord's our Rock in Him we hide"

Piano Two answers with:

"A Shelter in the time of storm"

Piano One:

"Secure whatever ill betide"

Piano Two:

"A shelter in the time of storm."

Both pianos join together on the chorus!

You'll have to try this....it's a lot of fun and
creates a stereo effect.

Try this offertory idea with other question/answer
hymns such as:

Revive Us Again
Power in the Blood
Throw Out the Lifeline
Jesus Saves
Nothing but the Blood of Jesus

The Church Pianist: Chord Inversions for Fill-Ins in Congregational Accompaniment

2009-02-26T09:30:00.000-08:00

New website: http://thechurchpianist.com/

Chord inversions work well for congregational

singing because they add fullness to the accompaniment.

For clarification: a chord inversion is nothing more than a
root chord out of order.

For example:

The 'C' root chord = CEG

There are three notes in the 'C' chord...so....the notes in the
root chord can be scrambled (inverted) three different ways
and add such a variety in sound!

Root (CEG) starting position

First inversion (EGC)

Second inversion (GCE)

Notice: the first note of each chord above....spells out the order
of the root chord.

Inversions create a more open tone compared to the close sound
of the root chord. Excessive use of the root chord produces a
cloudy tone. Learn to use more inversions!

Chord inversion fill-ins work best under the following conditions:

*When the same chord lasts for at least two measures
(allows time for the inversions to fit)

*Militant style hymns such as the examples on today's image

*4/4 time is best

Keep in mind...in 4/4 time...only beats one and three are
accented.

Playing the same weight for each beat will create unnecessary
hand tension and cause you to get bogged down in the mud;
creating a sluggish tempo.

All three examples on today's image are in 4/4 time.

The examples are geared to congregational accompaniment.

All three examples are on this one audio with a pause between
each one.

The audio below would be most beneficial if you view the music
while listening. You will hear how I accent beats one and three
for a more musical flow.

Warning!

The constant movement of the chord inversions
may cause disorientation at first :)

Simply practice the chord inversions over and over before
implementing them in congregational accompaniment.

http://www.box.net/shared/q8ltqay0y5

The Church Pianist: Invitation Tip

2009-02-24T08:59:00.000-08:00

New website: http://thechurchpianist.com/

Here's a helpful invitation tip for church pianists.

Make a list of 'most used' invitation songs at your
church on a 3x5 card. Be sure to put the page
number beside each song.

Tape it inside the front cover of your hymnal for
easy reference.

Our previous pastor use to have us just play an
invitation hymn of our choice. Sometimes our
current pastor does so.

In this case, it's best to number the invitation songs
#1 through however many songs you have listed.

During invitation prayer, the one pianist just signals to the
other pianist by showing the number of fingers
that represents the number of the song on the list.

Maybe this invitation tip will give you other ideas that
may work better for your pianists at invitation time.

The Church Pianist: Part Two of Easy Piano Duo Offertory

2009-02-21T16:39:00.001-08:00

New website: http://thechurchpianist.com/

I wanted to clarify a few things on this easy piano duo
offertory.

Did you notice how Piano One switched back and forth
from "Amazing Grace" to "Grace Greater"?

Piano One played harmony for the "Grace Greater" sections.

Piano Two played a little harmony during the last two measures.

This is part two of the easy piano duo offertory.

It's nice to have easy offertories on hand for those last minute
notices.

Click on the link below to hear the entire chorus.

http://www.box.net/shared/nymj6a2ln1

The Church Pianist: An Easy Offertory Idea

2009-02-20T18:23:00.000-08:00

New website: http://thechurchpianist.com/

I like to have easy offertory ideas on hand
for those last minute..."....oh by the way, so
and so is sick and I need you to cover offertory."

The hymn: "Grace Greater Than All Our Sin"
and "Amazing Grace" fit together nicely during
the chorus of "Grace Greater....".

We use this easy offertory idea for a piano duo.

I'm sure it can be done with piano and organ or
piano and another instrument.

The combination of the songs is used in the final chorus
for a nice ending.

Below... is part one of the final chorus. I will
share the remainder of the chorus in the
next article.

Please note: The sample arrangement is a
piano duo.

Easy offertories are a must have for
church pianists!

Next article will have an audio sample of this
arrangement.

The Church Pianist: No Key Change Necessary!

2009-02-18T09:57:00.000-08:00

New website: http://thechurchpianist.com/

It's not always necessary to change keys from one
to the other if you're moving up a 4th from the original
key.

For example: C to F Major or F to B flat Major

A transition is still taking place even though a modulation
(key change) isn't used.

Therefore, a nice ritard before the switching of keys allows
for a smoother transition.

I've found this transition sounds better when the last melody
note of the first key is the same note of the next key.

In the first example of today's image, the last melody note is
C (in the key of C). The first note of the next key is also C.

The same thing occured in the second example.

Notice the time signature change in the second example
does not affect the transition. I just ease in to the new
time signature by starting on the first word of the new
key in the last measure of the first key.

Whoa! That was wordy! Hope that last explanation was clear.

Click on this link to hear today's examples:

http://www.box.net/shared/efjt6urosa

The above key switching works well during a prelude, offertory
or when connecting two hymns for congregational singing.

The Church Pianist: Short offertories Needed?

2009-02-17T18:42:00.000-08:00

New website: http://thechurchpianist.com/

I plan to post a regular article tomorrow but
wanted to get some feedback on a very important
matter.

How many of you are in need of shorter offertories?

I'm busy composing offertory arrangements to be
available on my upcoming new website and would
like to write according to the biggest need.

It would be most helpful to hear from you.

Thanks for taking the time.

Jenifer

The Church Pianist: Improvising ideas for "The Light of the World"

2009-02-16T16:33:00.000-08:00

New website: http://thechurchpianist.com/

I'd like to share some improvising ideas with you

for the hymn: "The Light of the World is Jesus".

This hymn has beautiful words that can be brought
to life by some simple improvisational ideas.

Editor notes for today's example:

Measures #2 and #4

The left hand eighth note/quarter note pattern
creates a rhythmic drive to portray a sense of
urgency (see the words).

Measure # 3

Contrasting octaves are used on beats one through
three.

Measure # 3

Right hand plays a stepping up pattern (altered melody)
on the sixth beat.

Measure # 4

The right hand plays a broken chord pattern on beats
two and three to break up the repeated note melody.

Measure # 5

Left hand flows with sixteenth notes to create a com-
forting tone for the word "Je-sus".

I also altered the melody on the word "Je-sus" to
enhance the comforting mood on this word.

The right hand plays a climb down pattern for a
smooth transistion into the middle register ot the piano
for the next section of the verse.

Measure # 6

Left hand begins a new rhythm pattern for variety while
the right hand plays a simple one-note melody.

General tips:

I would play this arrangement at about 52 (metronome speed)

Meaning: One tick per dotted quarter note.

Basically, this arrangement should be treated at a medium-slow
speed so as not to sound rushed.

Just feel the music as though you were speaking it in a
conversational style with ebb and flow.

Hope these improvising ideas are a help to you.

Sincerely,

Jenifer

The Church Pianist: Free Vocal Arrangement (Part Two)

2009-02-11T09:27:00.000-08:00

New website: http://thechurchpianist.com/

Accompanying for a vocalist allows the pianist

to stray from the melody and play various patterns
within the chord frames.

Exception: This type of accompaniment may not work
well for the singer that needs the extra melody support.

Editor notes for today's music image.......

(Part Two 0f "My Jesus I Love Thee" )

Measure #14.....The right hand accompaniment moved
contrary to the melody for contrast.

Measure #15.....I added syncopation (rhythm)to left hand
for a bit of spice. Syncopation is as pepper to food....just
added as an accent here and there.

Measure #18.....Chord substitution (A major replaced the
F Major chord) The A Major chord is really just the iii chord
in F Major. The only difference....I changed the iii chord (ACE)
to a Major chord.....(AC#E).

Similar songs to try with the accompaniment ideas from

"My Jesus I Love Thee".....

When I Survey the Wondrous Cross
Like a River Glorious

Thanks for your visits!

The Church Pianist: Free Vocal Arrangement

2009-02-10T17:32:00.000-08:00

New website: http://thechurchpianist.com/

Here is a basic hymn with piano accompaniment
for a vocal solo.

The hymn: My Jesus I Love Thee lacks a variety
of chords. I have taken the liberty in adding several
chord substitutions to enhance the text.

The piano introduction adds a slight alteration to the
original melody for a twist.

Notice how I maintain the flowing pattern for the first
sentence of the vocal score before transitioning into a
different accompaniment pattern.

Hope this gives you some ideas for your own arranging.

I will provide the rest of this vocal arrangement in the
next article.

The Church Pianist: 6/8 Time (Free Sample)

2009-02-04T08:21:00.000-08:00

New website: http://thechurchpianist.com/

We just sang a song in 6/8 time this past

Sunday that gave my hands a big workout!

(As I mature in age, I like to make things as simple

as possible.)

Seriously, it's better to avoid playing every word

when accompanying in 6/8 time.

Why? To create a steadier and more musical flow.

Editor notes for today's example: (Praise Him! Praise Him!)

Measure #5: Right hand changes to a broken chord pattern

for variety.

Measure #7: Using a rest (in this case....for the right hand)

prepares the right hand for a more comfortable

entry of busy octaves in measure #8.

Measure #8: The ascending octaves in right hand creates an

easy transistion for playing higher.

Measure #9: The right hand climbs down the ladder with chords

transistioning to the lower register of keyboard.

Measure #11: Right hand plays in contrary motion to melody on

beats four through six for a nice contrast.

Measure #12: Left hand can play as shown or...double the 'D' and 'B'

on beats two and three for total octave format.

The vocal score is shown with the piano score for you to compare

to see how the accompaniment fits the voice parts.

6/8 timing songs are usually very wordy and require less

accompaniment frills than 4/4 time.

Any questions? Feel free to ask.

The Church Pianist: Free Piano Arrangement

2009-02-02T17:12:00.000-08:00

New website: http://thechurchpianist.com/

Here's a free piano arrangment of one of my

favorite hymns: "Jesus Paid It All"

Audio of the arrangement:

http://www.box.net/shared/cfj7uvr9si

The Church Pianist: Offertories! Offertories! Feeling Pressured?

2009-01-27T17:12:00.000-08:00

New website: http://thechurchpianist.com/

The church pianist can feel overwhelmed
at times trying to provide offertories especially
if he or she is one of the few pianists at their church.

It's so easy to get caught up in feeling like you
have to play a "rather involved/complex"
arrangement.

Instead, it's rather refreshing to hear just a plain
hymn without a lot of frills.

I will play special arrangements but not every time.

It's fun to create simply medleys such as:

His Name is Wonderful w/ Oh How I Love Jesus

Blessed Assurance w/ Saved by the Blood

What a Friend We Have in Jesus w/ Jesus is the Sweetest Name I Know

The offertory should minister to the hearts of the people.

One thing to remember:

Make sure the melody is dominant in whatever
arrangement you play.

Why? So the people can follow along with the words without
abrupt or unusual interruptions in the music.

The Church Pianist: Left Hand Patterns for Mundane Bass Line

2009-01-26T18:10:00.001-08:00

New website: http://thechurchpianist.com/

Send the Light has a rather mundane bass line...
meaning....alot of repeated bass notes.

This can make for a rather boring sound.

Actually, there's a lot the church pianist can do
to spice up this gospel song!

Remember that the hymnal is written for voice;
not for piano.

Piano score description for today's example
of "Send the Light"

*Half note chords are used in the right hand to
avoid a choppy tone due to the repeated notes
in the vocal score.

*Left hand pattern starts with marching octaves
in a stepping down pattern.

*On words: "...send the Light" the left hand plays
an octave followed by echos in 3rds within the
chord being used at the time. The echo is really
just a stepping pattern within the chord.

*The right hand basically played a broken G chord
with an added 'passing tone' for the words:
"restless wave".

(I will address passing tones in a future article.)

I added an extra piano score to demonstrate how
to play for another verse using a variation of the same
ideas.

It's simple left hand patterns like this that make an
ordinary gospel song come to life!

The Church Pianist: Chord extension for the ii chord

2009-01-25T18:17:00.000-08:00

New website: http://thechurchpianist.com/

Chord extensions are easy!

All you do is... add a 3rd above the root chord.

For example:

C E G is the root chord for the C chord.

Just add the 7th note above the root note (C)
and you find B.

This added note (B) gives an even richer, fuller tone.

This extension can be added to any root chord within
a scale.

Here's a list of the first 3 chords in the C scale with the
added 7th:

Oh....by the way..........

(Knowledge of the scales is an essential to improvising)

C E G B

D F A C

E G B D

F A C E

etc. etc. You get the idea.

I illustrated 'adding the 7th' to the ii chord in today's image.

The 'added 7th' doesn't even conflict with the vocal parts!

The vocal and piano score are given for the sake of comparison.

I tried to keep the piano accompaniment simple for a (hopefully)
clear presentation.

You will notice I show the same application in several songs and
in different keys.

Challenge yourself!

Try adding this extension to other chords as well.

Your playing will sound richer and fuller.

The Church Pianist: A Valuable Assignment for All Upcoming Church Pianist

2009-01-22T15:46:00.001-08:00

New website: http://thechurchpianist.com/

My dad gave me one of the most valuable
piano assignments when I was a young girl,
about 12 years of age.

He challenged me to play every hymn from
the hymnal as written.

Why?

To improve my sightreading

Able to play any hymn during 'request' times

Conditioned me to read part writing which
helped me for choir practice.

Overall exposure to well written (organized) music.

Though I never played the entire hymnal at the age
of 12...I made it through a major part of the hymnal.

Now, at the age of 45, I believe I've made it through
most of the hymnal.

Thank you Dad for giving me one of the most bene-
ficial assignments I've ever had!

The Church Pianist: Free Piano Sample (Congregational)

2009-01-20T17:27:00.000-08:00

New website: http://thechurchpianist.com/

Do you ever have a hard time feeling the
beat when the songleader wants to slow
down a section of a song?

The following applies to accompanying:

*congregational singing

*vocal specials

*instrumental special

For example, the song: "Count Your Blessings"

A lot of songleaders like to slow down the section
of the chorus:

"count your blessings........name....them...one..by....one"

You get the idea.

What should the pianist play? more fill-in notes!

The songleader (if trained) will subdivide the beats
on slow words.

For example:

If the words have quarter notes, the
songleader will lead in an eighth note pattern.

The extra movement keeps the tempo alive during
slow sections.

The pianist should also mimic this eighth note pattern.

Today's free piano sample should clarify the above
explanation.

The Church Pianist: Improvising for Congregational in 9/8

2009-01-17T14:40:00.000-08:00

New website: http://thechurchpianist.com/

Songs in 6/8 or 9/8 usually move fast.

It's not necessary for the pianist to play
every word. I usually play melody on the
first couple of words to support a confident
entry and then I start my accompaniment.

Editor notes for today's example:

"Heavenly Sunlight"

In general:

I try to vary my rhythmic patterns
throughout for variety.

I use full chords on accented beats:
(one, four and seven) to enhance the
accented beats' therefore producing
a steadier flow.

Empty octaves (octaves without notes
in the middle) are used on fast words.

Why? Easier for hand to move quickly

Notice the staccato notes here and there.
A light staccato relieves hand tension.

I also release pedal on these staccato notes.

On first two words: Walking in....

(I start with contrary octaves for contrast.

Special note: Playing the same octaves in
both hands would create parallel octaves
which is a big no-no in improvising.)

Why? Because it sounds too plain.

Words: all of my.....

(The melody is transfered to the left hand

The right hand played the harmony in
octave format.)

Word: journey

(Left hand plays broken C chord tones.)

Words: Over the...

Notice the chord changes to an F. I'm already
in the C chord prior to that and don't want to
disrupt my accompaniment pattern....so.....
I just play a C in unison with both hands.

(Neat trick!)

Word: mountains

Just decided to improvise with a new fill-in idea
to break the monotony of previous patterns.

I just simply used a stepping note method that
leads me into the next chord.

Try these improvisational ideas out on similar songs
in 9/8 time.

"We're Marching to Zion" is a good start.

Adding more notes gives stability to the congre-
gational singing!

The Church Pianist: Congregational Singing in the Fast Lane

2009-01-15T09:21:00.000-08:00

New website: http://thechurchpianist.com/

Ever experience difficulty playing fast songs
in church?

Do you try to play every word? It's hard to keep
up isn't it?

Simply play the chord structure and let the congre-
gation do the work :)

I like to make the song easier on the hand as much
as possible to keep the tempo flowing.

In todays' example (I Will Sing of My Redeemer),
you can see how I would play for the congregation.

Editor notes for :

(I Will Sing of My Redeemer or
entitled: My Redeemer)

Words:

" ...my Re-..." and once again on: "love to"

(I transfer the melody rhythm to the left hand
for variety and easier hand movement.)

It's fine to sit still on a chord here and there while
the singers do the work :)

Just add a few sprinkles of eight notes to break up
the sit-still chords.

I'll share some more examples on these time signatures
in upcoming articles.

Just remember: the pianist's role is to maintain a steady
tempo to support the congregational singing.